Narci's ' "Maya Teri Ram" was released on its scheduled release date, February 29, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Maya Teri Ram and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Maya Teri Ram is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Maya Teri Ram by Narci to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shish Gang Ardhang Parvati | Lakhbir Singh Lakkha | D♭ Major | 8 | 3B | 84 BPM | ||
| Are Dwarpalo | Ram Kumar Lakha | B♭ Major | 8 | 6B | 95 BPM | ||
| Pata Nahi Kis Roop Main Aakar | Pujya Prembhushanji Maharaj | D Minor | 6 | 7A | 125 BPM | ||
| Shiva Mantra Ghanapaatha | Uma Mohan | D Major | 4 | 10B | 108 BPM | ||
| Krishnvani | Ravan | F Minor | 7 | 4A | 140 BPM | ||
| Parshuram Aagman | Narci | E Minor | 7 | 9A | 124 BPM | ||
| Wahi Ravan Hu Mai | Ravan | G Major | 9 | 9B | 80 BPM | ||
| Vrindavan Bula Lijiye | Nikhil Verma | A Minor | 3 | 8A | 65 BPM | ||
| Door Na Hona Shambhu - Lo-Fi Mix | Krishna Chaturvedi, Pankaj VRK | F♯ Minor | 6 | 11A | 147 BPM | ||
| Radha 3 - Rap Version | Ghor Sanatani, Lovenish Khatri | A♭ Minor | 5 | 1A | 160 BPM | ||
| Woh Shri Ram Hain | Divya Kumar, Amit Bhadana, Raas | A♭ Minor | 9 | 1A | 130 BPM | ||
| Jaadu Karke | Indresh Upadhyay | D♭ Major | 3 | 3B | 168 BPM | ||
| CHAKRA DHARI | Vinay Katoch, Siddharth Sharma | A Minor | 9 | 8A | 140 BPM | ||
| Ek Taraf Sanwle Se Kanha | Nikhil Verma | E♭ Minor | 3 | 2A | 138 BPM | ||
| Ganga Dharay Shiv Ganga Dharay | Nandlal Chhanga | B♭ Minor | 10 | 3A | 109 BPM | ||
| Bhala | Vinay Katoch | B♭ Major | 5 | 6B | 152 BPM | ||
| Bhole Ke Bhajan | Vinay Katoch, Vineet Katoch, Ishika Singh | B♭ Minor | 10 | 3A | 132 BPM | ||
| Mere Kanha | Jaya Kishori, Jubin Nautiyal | F Minor | 7 | 4A | 88 BPM | ||
| Bole Nandlala | Nikhil Verma | E Minor | 4 | 9A | 132 BPM | ||
| Mere Bholenath Ji | Krishna Chaturvedi | F Major | 6 | 7B | 88 BPM | ||
| Bhola Tera Dum Dum Damroo Baje | Brijraj Singh Lakkha | F♯ Major | 7 | 2B | 157 BPM | ||
| Bhajman Radhe Radhe Govinda | Acyuta Gopi | A♭ Major | 5 | 4B | 80 BPM | ||
| Main Aa to Gaya Hun | SJ, Dheeraj soni, Rubaab | B♭ Major | 4 | 6B | 152 BPM | ||
| Teri sharan mein aake - Hindi Song | Indresh Upadhyay | B Minor | 6 | 10A | 154 BPM | ||
| Suraj Ki Garmi Se | Samarpit the band, Pandit Ramanand Sharma | D Minor | 4 | 7A | 80 BPM |