Sion Trefor's 'The Subjects' had a release date set for February 13, 2026. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sion Trefor's "How To Get To Heaven From Belfast (Soundtrack from the Netflix Series)" album is number 15 out of 20. Based on our statistics, The Subjects's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Subjects by Sion Trefor to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mark on the Bridge | Jessica Jones | A♭ Major | 3 | 4B | 138 BPM | ||
| Pandora | Martin Madrazo, Martin Lamo | G Minor | 3 | 6A | 105 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| Hombre Por Hombre | Hasta El Final | F♯ Minor | 0 | 11A | 110 BPM | ||
| Dark Gothic Cello Ambient | Rafael Krux | A♭ Major | 3 | 4B | 138 BPM | ||
| C# PAD | Heaven Track | F♯ Major | 2 | 2B | 102 BPM | ||
| The First Star | Jonathan Fitas | F Major | 3 | 7B | 100 BPM | ||
| The Middle | Emiliana Harlow, Emily Harlow | G Minor | 2 | 6A | 80 BPM | ||
| Dream Sequence #2 | OUTER | A♭ Major | 3 | 4B | 138 BPM | ||
| Fuente | Alexis Somogyi | A Minor | 2 | 8A | 63 BPM | ||
| Robert's Daughters | Atli Örvarsson | G Minor | 1 | 6A | 97 BPM | ||
| Call You Mabel | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM | ||
| Los Elegidos | Fases Ocultas | D♭ Minor | 1 | 12A | 71 BPM | ||
| A Death In The Snow | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| All Of You (Original Score Suite) | Ian Hultquist, Sofia degli Alessandri | F Major | 1 | 7B | 58 BPM | ||
| Setting Goals | John Barzetti | B♭ Major | 1 | 6B | 74 BPM | ||
| Angle | Vernall | A Minor | 2 | 8A | 73 BPM | ||
| Romance Begins | Anne Nikitin | A Minor | 1 | 8A | 87 BPM | ||
| Crash | Marios Takoushis | A♭ Major | 3 | 4B | 138 BPM | ||
| Personas Desconfiadas | Universos Terrenales | B Minor | 1 | 10A | 91 BPM | ||
| Système un | Nicolas Bernier Nathan Giroux, Nicolas Bernier, Nathan Giroux, Pur Pasteur | A♭ Major | 3 | 4B | 138 BPM | ||
| Moran Is Quat | 2XSTATE | B♭ Major | 1 | 6B | 126 BPM | ||
| Nastka | Natalia Tsupryk | C Major | 3 | 8B | 86 BPM | ||
| The Steppes | Christopher Barnett | A♭ Major | 3 | 4B | 138 BPM | ||
| The Company Was Good To Us | Marina Ortega Mira | A♭ Major | 3 | 4B | 138 BPM |