"La strada della vita" by Dmitri Hvorostovsky had its release date on January 1, 2009. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Дежавю Pt.1, so we believe that "La strada della vita" is a single. Based on our statistics, La strada della vita's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La strada della vita by Dmitri Hvorostovsky is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
| Praise the Name of the Lord | Dobri Khristov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | D Minor | 2 | 7A | 139 BPM | ||
| Журавли | Dmitri Hvorostovsky, Государственный Академический Камерный Оркестр России, Константин Орбелян | B Minor | 1 | 10A | 87 BPM | ||
| Князь Игорь, Акт II: "Ни сна, ни отдыха измученной душе" (Князь) | Alexander Borodin, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky | B♭ Major | 3 | 6B | 175 BPM | ||
| Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
| Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Ivari Ilja | C Minor | 0 | 5A | 79 BPM | ||
| Largo al factotum (Act I) | Cesare Sterbini, Gioachino Rossini, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Major | 3 | 9B | 70 BPM | ||
| El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
| Gounod: Faust, Act 2: "Vin ou bière, bière ou vin" - "Jeune adepte du tonneau" (Chœur, Wagner) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Mazeppa, TH 7: O Maria, Maria! | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, The State Academic Symphony Orchestra Evgeny Svetlanov, Constantine Orbelian | F♯ Major | 2 | 2B | 64 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM | ||
| Blessed Is the Man | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 2 | 10A | 163 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Closing scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Delibes: Lakmé, Act 1: Chœur et prière. "Blanche Dourga" (Lakmé, Chœur, Nilakantha) | Léo Delibes, Michel Plasson, Choeur Du Capitole De Toulouse, José van Dam, Natalie Dessay, Orchestre Du Capitole De Toulouse | B♭ Minor | 0 | 3A | 73 BPM | ||
| L'elisir d'amore: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | B♭ Minor | 1 | 3A | 68 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
| The Demon / Act II: Na vazdushnam akeane | Anton Rubinstein, Dmitri Hvorostovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 0 | 11B | 129 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Don Carlo: "Per me guinto - O Carlo ascolta" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 79 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM |