"Fly! We Will Rise on the Updraft" by Yuji Nomi had its release date on 1995. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Whisper of the Heart Soundtrack by Yuji Nomi. The song's track number on the album is #15 out of 22 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, Fly! We Will Rise on the Updraft's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fly! We Will Rise on the Updraft by Yuji Nomi has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fly! We Will Rise on the Updraft being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dash - Confrontation | Tamiya Terashima | A Minor | 3 | 8A | 136 BPM | ||
| Alone Late at Night | Shigeru Nagata | A Minor | 1 | 8A | 178 BPM | ||
| Friend | Joe Hisaishi | B♭ Major | 1 | 6B | 100 BPM | ||
| Welcome to the Latin Quarter | Satoshi Takebe | A Minor | 4 | 8A | 155 BPM | ||
| 初めての気持ち | Kotringo | E Major | 1 | 12B | 108 BPM | ||
| Coconut | Katsu Hoshi | C Major | 2 | 8B | 91 BPM | ||
| Safflower - Piano Version | Katsu Hoshi | C Major | 0 | 8B | 171 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Morning in the Mining Village | SEATTLEMUSIC | A Major | 1 | 11B | 85 BPM | ||
| ドライブ | 陣内一真 | A Major | 2 | 11B | 78 BPM | ||
| Himeta Omoi | Kosuke Yamashita | F Minor | 2 | 4A | 65 BPM | ||
| Sho's Lament - Instrumental Version | Cécile Corbel | E♭ Minor | 2 | 2A | 121 BPM | ||
| Prologue ~ Flaptors Attack | SEATTLEMUSIC | D Minor | 3 | 7A | 61 BPM | ||
| Horizon | Masakatsu Takagi | F♯ Major | 0 | 2B | 112 BPM | ||
| Ponyo on the Cliff - Live, Remastered | Nuvo Orchestra | F Major | 4 | 7B | 123 BPM | ||
| Takashi and Matsuko's Tango Sinfonico | Czech Philharmonic | F♯ Minor | 1 | 11A | 129 BPM | ||
| Nocturne for orchestra | Yoshihisa Hirano | F Major | 3 | 7B | 65 BPM | ||
| How to Find the Good Ones | Dan Romer | A♭ Major | 2 | 4B | 161 BPM | ||
| Ephemeral Life | 光田康典, 土屋俊輔 | G Major | 1 | 9B | 81 BPM | ||
| Following Muta | Yuji Nomi | D♭ Minor | 2 | 12A | 142 BPM | ||
| Tightenville (Hal's Theme) | Hans Zimmer, Lorne Balfe | F Major | 3 | 7B | 130 BPM | ||
| 桜トンネル | Yoko Kanno | E♭ Major | 4 | 5B | 95 BPM | ||
| Tasting -Anxiety and Joy- | 光田康典, 土屋俊輔 | A♭ Major | 3 | 4B | 83 BPM | ||
| Bouncy Larvas | Johannes Johansson | B♭ Major | 1 | 6B | 85 BPM | ||
| The Peak of Deliciousness | 光田康典, 土屋俊輔 | D Major | 2 | 10B | 80 BPM |