"To The Office The Elevator" by David Shire had its release date on March 17, 2023. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. To The Office The Elevator's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Conversation (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. To The Office The Elevator is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To The Office The Elevator by David Shire having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nell'ufficio Di Produzione Di Otto E Mezzo | Nino Rota | C Major | 4 | 8B | 82 BPM | ||
| Blues For Harry (Combo) | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Meditation 3 on Allegretto from Beethoven Symphony No. 7 Op. 92 | Laura Karpman | A Minor | 0 | 8A | 95 BPM | ||
| Out of Touch | Laurent Dury | D♭ Major | 2 | 3B | 109 BPM | ||
| Someone Else's Forward Motion (Posing as Your Own) | Jon Brion | G Major | 0 | 9B | 120 BPM | ||
| A Different Man - End Credits Suite | Umberto Smerilli | E♭ Major | 1 | 5B | 93 BPM | ||
| Attention | jung jaeil | G Minor | 2 | 6A | 95 BPM | ||
| River of Hills | Jonny Greenwood | C Major | 1 | 8B | 89 BPM | ||
| Alien Loop | Mica Levi | B♭ Major | 7 | 6B | 128 BPM | ||
| Dawn - Billy Sees Kes In The Tower | John Cameron | C Major | 2 | 8B | 91 BPM | ||
| Prison of Opulence | Joel P West | D♭ Major | 2 | 3B | 109 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| Mile's Theme | Rolfe Kent | E Minor | 4 | 9A | 121 BPM | ||
| Martey's - Bande originale du film "Le samouraï" | François de Roubaix | G Major | 1 | 9B | 165 BPM | ||
| A Summer Place | Ron Grainer | D Major | 2 | 10B | 79 BPM | ||
| Öreg - From "Werckmeister Harmóniák" | Víg Mihály | B Minor | 2 | 10A | 83 BPM | ||
| Both Alive and Dead | Jason Hill | C Major | 6 | 8B | 124 BPM | ||
| Maudet Et Ferchaux | Georges Delerue | A Minor | 1 | 8A | 119 BPM | ||
| Beautiful Girls | David Carbonara | B♭ Minor | 1 | 3A | 63 BPM | ||
| Placing Stones | Bryce Dessner | F Major | 1 | 7B | 77 BPM | ||
| My Isle Of Golden Dreams | Dabney Morris | C Major | 3 | 8B | 136 BPM | ||
| Visite à l'usine | Bertrand Bonello | D Major | 4 | 10B | 99 BPM | ||
| Los Angeles Mood (Chromium Descensions) - Instrumental | Tom Waits | A Minor | 0 | 8A | 122 BPM | ||
| A Cool Dad | Owen Pallett | B Minor | 0 | 10A | 80 BPM | ||
| Hospital | Punch-Drunk Love | D Minor | 1 | 7A | 141 BPM |