Samuel Sim's 'They're Here' had a release date set for October 31, 2014. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. They're Here's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Mill". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The popularity of They're Here is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With They're Here by Samuel Sim having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Time to Go Home | David Arnold | G Major | 1 | 9B | 61 BPM | ||
| Brideshead Revisited: No. 11, Venice | Adrian Johnston, Terry Davies, BBC Philharmonic | E Minor | 1 | 9A | 79 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| My Father's Favourite | Patrick Doyle, Tony Hymas, Robert Ziegler, Jonathan Snowdon, Robert Hill, Richard Morgan | A♭ Major | 1 | 4B | 59 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| The Bells | Samuel Sim | C Minor | 1 | 5A | 72 BPM | ||
| To Die For Love - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 0 | 7A | 73 BPM | ||
| I'm Going Home | Harry Gregson-Williams, Rupert Gregson-Williams | A Major | 5 | 11B | 104 BPM | ||
| Don't Ask Me | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Pride and Prejudice (From "Pride and Prejudice") [BBC 1995 Adaptation] | Regency Players | B♭ Major | 2 | 6B | 126 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| All I Have | Samuel Sim | G Major | 1 | 9B | 174 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| Opening Titles | Christian Henson | A♭ Major | 2 | 4B | 137 BPM | ||
| Only People We Like | Samuel Sim | G Major | 1 | 9B | 101 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Meryton Town Hall (From "Pride and Prejudice") [2005 Version] | Regency Players | G Major | 3 | 9B | 112 BPM | ||
| Leaving The Docks | Zbigniew Preisner | E Minor | 0 | 9A | 121 BPM |