"Andante cantabile for Cello and String Orchestra, Op. posthumous" by Pyotr Ilyich Tchaikovsky, Saint Paul Chamber Orchestra, Bobby McFerrin had its release date on July 18, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Paper Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Andante cantabile for Cello and String Orchestra, Op. posthumous is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante cantabile for Cello and String Orchestra, Op. posthumous by Pyotr Ilyich Tchaikovsky, Saint Paul Chamber Orchestra, Bobby McFerrin having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giustino, RV 717, Act II: Sento in seno ch'in pioggia di lagrime (Arr. G. Anderson and e. J. Roe) | Anderson & Roe | E♭ Minor | 0 | 2A | 119 BPM | ||
| The Race | Noa, Gil Dor | F Major | 2 | 7B | 140 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
| Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
| Symphonie No. 3, Op. 36: II. Lento e largo | Henryk Górecki, Alain Altinoglu, Ingrid Perruche, Fundacja Sinfonia Varsovia | B♭ Minor | 0 | 3A | 79 BPM | ||
| Musette from the Notebook for Anna Magdalena Bach | Johann Sebastian Bach, Bobby McFerrin, Yo-Yo Ma | A Major | 2 | 11B | 107 BPM | ||
| Guten Abend | Johannes Brahms, Klazz Brothers, Cuba Percussion | D Major | 0 | 10B | 133 BPM | ||
| Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
| Miserere Mei, Deus | Gregorio Allegri, Elina Garanca, Latvian Radio Choir, Karel Mark Chichon | B♭ Major | 0 | 6B | 163 BPM | ||
| Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
| Musica Celestis | Aaron Jay Kernis, TrondheimSolistene, Øyvind Gimse | A Major | 1 | 11B | 80 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Piotr Anderszewski, Sinfonia Varsovia | F Major | 0 | 7B | 92 BPM | ||
| A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
| Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
| Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Major | 6 | 9B | 110 BPM | ||
| The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Goldberg Variations Bwv 988, Aria | Calefax Reed Quintet | G Major | 1 | 9B | 166 BPM | ||
| Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 | Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin | A Major | 0 | 11B | 91 BPM | ||
| Mass | Bobby McFerrin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
| The Magic Flute, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Major | 2 | 9B | 112 BPM | ||
| Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
| Stabat Mater in F Minor, P. 77: Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Jodie Devos, Adèle Charvet, Maîtrise de Radio France, Le Concert de la Loge, Julien Chauvin | F Minor | 1 | 4A | 74 BPM | ||
| Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM |