"Final Log - Japanese Version" by Gabríel Ólafs, Miu Sakamoto had its release date on October 10, 2025. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Polar (Traveler’s Log / Japanese Version)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Final Log - Japanese Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Final Log - Japanese Version by Gabríel Ólafs, Miu Sakamoto having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Ithaca Suite: IV. Penelopeia | Olivia Belli | B Minor | 0 | 10A | 176 BPM | ||
| 3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
| Ljusnan | Patrik Berg Almkvisth, LUCHS | F Major | 0 | 7B | 78 BPM | ||
| Triptych III for Piano | Pêtr Aleksänder | D Minor | 5 | 7A | 177 BPM | ||
| Respiro 5 | Olivia Belli | E♭ Minor | 0 | 2A | 119 BPM | ||
| About Us - Opening Theme - OMPST | Luca Longobardi | C Minor | 1 | 5A | 126 BPM | ||
| Lacuna | Snorri Hallgrímsson | B♭ Minor | 0 | 3A | 67 BPM | ||
| The Swan - Reimagined | Camille Saint-Saëns, Verwey | F♯ Major | 0 | 2B | 92 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Luna - Solo Piano Version | Eunike Tanzil | F Major | 0 | 7B | 140 BPM | ||
| Träumerei | Justus Rümenapp | F Minor | 1 | 4A | 124 BPM | ||
| Movement 5 - Pt. 2 - Instrumental | Erland Cooper, Scottish Ensemble | F Major | 1 | 7B | 71 BPM | ||
| Saudade (When We Are Born) | Ólafur Arnalds | D Major | 0 | 10B | 100 BPM | ||
| Chasing the Present | Snorri Hallgrímsson | F Minor | 1 | 4A | 208 BPM | ||
| I. Even | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | A Minor | 1 | 8A | 83 BPM | ||
| Næturdögg | Eydís Evensen | A♭ Minor | 1 | 1A | 67 BPM | ||
| Mid Air | GÅEL | C Major | 0 | 8B | 112 BPM | ||
| Arnalds: saman | Dalal | G Minor | 0 | 6A | 148 BPM | ||
| To the Moon and Back | Aija Alsina | A♭ Major | 1 | 4B | 73 BPM | ||
| Emerald and Stone | Brian Eno, Jon Hopkins, Leo Abrahams, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
| Lumières | Alexandra Streliski | E♭ Major | 1 | 5B | 122 BPM | ||
| Lunar | Christian Badzura, Bruce Liu | F Minor | 2 | 4A | 147 BPM | ||
| St. Magnus of Hamnavoe - Daniel Pioro Rework | Erland Cooper, Daniel Pioro | C Major | 1 | 8B | 84 BPM | ||
| Passing Soul | James Heather | C Minor | 1 | 5A | 145 BPM |