S. P. Balasubrahmanyam, K. S. Chithra's ' "Hai Rukku" was released on its scheduled release date, April 30, 1999. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mani Sharma's "Iddaru Mithrulu" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Hai Rukku is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hai Rukku by S. P. Balasubrahmanyam, K. S. Chithra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Olammo Gowrammo | Swarnalatha, S. P. Balasubrahmanyam | F Major | 7 | 7B | 174 BPM | ||
| Pattu Pattu | Manikka Vinayagam, Sumangaly | F♯ Major | 5 | 2B | 124 BPM | ||
| Nemmadiga | Venu Srirangam, Shweta Mohan | D♭ Major | 8 | 3B | 95 BPM | ||
| Manninchu O Prema | Udit Narayan, K. S. Chithra | B Minor | 6 | 10A | 85 BPM | ||
| Hay Hay Nayaka Athamma Kodaka | Sukhwinder Singh, K. S. Chithra | F Minor | 7 | 4A | 112 BPM | ||
| Ettundi Abbai | Chitra, S. P. Balasubrahmanyam | B Major | 9 | 1B | 101 BPM | ||
| Ganga AC | S.P. Charan, Smitha | D♭ Major | 7 | 3B | 82 BPM | ||
| Manasuna Nuvvele | Anjana Sowmya | F♯ Major | 9 | 2B | 106 BPM | ||
| Moodu Mullu | S. P. Balasubrahmanyam, S. P. Sailaja | A Minor | 4 | 8A | 87 BPM | ||
| Tongi Tongi | Suchitra, Ramki | F♯ Major | 9 | 2B | 106 BPM | ||
| Shakeela | Devan Ekambaram, Madangi | B♭ Minor | 8 | 3A | 105 BPM | ||
| Addhira Banna | Anudeep Dev, Arun, Dhanunjay Seepana, Raghu Ram, Sampath, Prakash, Lokesh | B♭ Major | 8 | 6B | 80 BPM | ||
| Ela Ela | Usha | F Minor | 4 | 4A | 150 BPM | ||
| Ammamma Nee Meesam | Udit Narayan, Kalpana | G Major | 9 | 9B | 174 BPM | ||
| Paddade Pegguraa Maavayya | Rahul Nambiar | B♭ Minor | 6 | 3A | 170 BPM | ||
| Chamak Cham | S. P. Balasubrahmanyam, K. S. Chithra | D♭ Major | 5 | 3B | 92 BPM | ||
| Bangaram Thechi | Partha Sarathy, K. S. Chithra | F♯ Minor | 7 | 11A | 110 BPM | ||
| Nagaram | Mallikarjun | G Minor | 7 | 6A | 113 BPM | ||
| Maa Kanti | P. Susheela | B Minor | 4 | 10A | 115 BPM | ||
| Delhi Paparo | Sukhwinder Singh, Swapna avasthey | B♭ Minor | 9 | 3A | 96 BPM | ||
| Yedu Malleu Ettu Sukumari Ki | Madhavapeddi Sathyam, Krishnam raju, Praveen | C Major | 5 | 8B | 95 BPM | ||
| Rendujella Papa | Shankar Mahadevan, K. S. Chithra | B♭ Minor | 9 | 3A | 83 BPM | ||
| Ooremitamma Peremitamma | P. Susheela, S. P. Balasubrahmanyam | A Major | 7 | 11B | 136 BPM | ||
| Janabethedu Jaga | Malathi | G Minor | 7 | 6A | 176 BPM | ||
| Yedho Yedho-2 | Saindhavi | C Major | 6 | 8B | 127 BPM |