"Conversation Soon" by The Saxophones had its release date on June 2, 2023. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "To Be a Cloud". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Conversation Soon is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Conversation Soon by The Saxophones having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sound of Violence - Demo Version | Other Lives | B♭ Minor | 3 | 3A | 150 BPM | ||
| Fine Anyway | Rogér Fakhr | E Minor | 4 | 9A | 62 BPM | ||
| Josephine | Caoilfhionn Rose | F Minor | 3 | 4A | 94 BPM | ||
| The Ocean | Richard Hawley | A Major | 4 | 11B | 144 BPM | ||
| Daylight | Peder, Signe Marie Schmidt-Jacobsen | F♯ Major | 1 | 2B | 102 BPM | ||
| Can We Really Party Today? | Jonathan Wilson | G Major | 3 | 9B | 126 BPM | ||
| Green Grass | Naima Joris, Vitja Pauwels | C Minor | 1 | 5A | 82 BPM | ||
| Sewer Blues | Timber Timbre | B♭ Major | 3 | 6B | 130 BPM | ||
| Idle I'm | John Stammers | D♭ Major | 4 | 3B | 120 BPM | ||
| Forgot My Mantra | The Saxophones | D Minor | 2 | 7A | 111 BPM | ||
| Just Me & You | Drab City | B♭ Minor | 3 | 3A | 180 BPM | ||
| Dream for Dreaming | Patrick Watson | F Major | 2 | 7B | 79 BPM | ||
| 500 Dreams | Alex Maas | A Major | 1 | 11B | 105 BPM | ||
| Winter Moon | The Saxophones | B♭ Minor | 5 | 3A | 109 BPM | ||
| The Ballad of Tom Paris | Robert Earl Thomas | D♭ Major | 3 | 3B | 133 BPM | ||
| Imagining What to Do | Helado Negro | C Major | 3 | 8B | 113 BPM | ||
| The Everynight Banshee | Palatine | G Minor | 4 | 6A | 130 BPM | ||
| I'll Be Your Woman | Michelle Gurevich | G Minor | 2 | 6A | 116 BPM | ||
| Brighter! | Cass McCombs | G Major | 4 | 9B | 123 BPM | ||
| Half Silences | Loma | B♭ Minor | 4 | 3A | 105 BPM | ||
| Shiftshaping | Michael Nau | F Major | 6 | 7B | 173 BPM | ||
| Like Only Lovers Can | Tindersticks | C Major | 2 | 8B | 139 BPM | ||
| I Miss You Most of All | Jay-Jay Johanson | D Major | 3 | 10B | 91 BPM | ||
| Évanouie | Meryem Aboulouafa | C Major | 2 | 8B | 124 BPM | ||
| Renunciate | Nev Cottee | B Minor | 4 | 10A | 102 BPM |