George Bassman, Charlie Fuqua, Orville "Hoppy" Jones, Bill Kenny, Ivory Deek Watson, Ink Spots, The's ' "I'm Getting Sentimental Over You: I'm Gettin' Sentimental Over You" was released on its scheduled release date, October 6, 2002. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. I'm Getting Sentimental Over You: I'm Gettin' Sentimental Over You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ink Spots, The's "Ink Spots: Gettin' Sentimental (1939-1945)" album is number 3 out of 20. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, I'm Getting Sentimental Over You: I'm Gettin' Sentimental Over You is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I'm Getting Sentimental Over You: I'm Gettin' Sentimental Over You by George Bassman, Charlie Fuqua, Orville "Hoppy" Jones, Bill Kenny, Ivory Deek Watson, Ink Spots, The to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Clarinet and Saxophone, "Laurentian Reflections": II. Calm Lake | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 1 | 4B | 167 BPM | ||
| I'm Getting Sentimental Over You | George Bassman, Melodias, Die, Frieboes-Mehlig | G Major | 2 | 9B | 100 BPM | ||
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Harlem Boogie-Woogie | Jerome Kern, Robert Russell Bennett, London Sinfonietta, John McGlinn | F Minor | 6 | 4A | 171 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Cosas De La Batalla | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | ||
| The Godfather's Fox-Trot (From "The Godfather") | Carmine Coppola | E Major | 1 | 12B | 87 BPM | ||
| Notte Quieta | Luciano Lombardi | G Minor | 2 | 6A | 85 BPM | ||
| Under the Stars: Under the Stars | Eric Coates, BBC Philharmonic, John Wilson | D Minor | 1 | 7A | 93 BPM | ||
| Birth of Time Echoes (III The Fuse) | Tim de Maeseneer | C Minor | 4 | 5A | 84 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Children's March "Over the Hills and Far Away" (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 99 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| The Postman Always Rings Twice | George Bassman | E Minor | 3 | 9A | 139 BPM | ||
| In the Hood | Ede Rezvanov, Onlyfire | D Minor | 1 | 7A | 95 BPM | ||
| Entr'acte | Richard Rodney Bennett | C Major | 5 | 8B | 112 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Sensuality | Roy Ricardo, Ricc Roy | F Major | 2 | 7B | 83 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| On the Beach at Rota | Gloria Brass | B♭ Major | 4 | 6B | 79 BPM | ||
| I’m Gettin’ Sentimental Over You | George Bassman, Peter Moore, Tredegar Band, Ian Porthouse | A♭ Major | 0 | 4B | 84 BPM |