James Labrie's 'Over the Edge' had a release date set for July 16, 2010. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Static Impulse". In this album, this song's track order is #5. The popularity of Over the Edge is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Over the Edge by James Labrie having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jekyll Or Hyde | James Labrie | B Minor | 10 | 10A | 119 BPM | ||
| Shadowland | Beyond Twilight | B Major | 7 | 1B | 120 BPM | ||
| Blind My Eyes | Redemption | E Minor | 9 | 9A | 88 BPM | ||
| Hey! - Live | Noturnall, James Labrie | D♭ Major | 10 | 3B | 125 BPM | ||
| The End and the Rebirth | Shattered Skies | F♯ Minor | 9 | 11A | 131 BPM | ||
| Asphyxiation | Sons Of Apollo | A Minor | 10 | 8A | 120 BPM | ||
| The Death of Faith and Reason | Redemption | F♯ Major | 10 | 2B | 145 BPM | ||
| I Know What I Want | Sons of Medusa | F Minor | 10 | 4A | 120 BPM | ||
| Illuminoid Dream Sequence | Scar Symmetry | F♯ Major | 10 | 2B | 130 BPM | ||
| No Landscape | Nick Bunyan | A♭ Minor | 5 | 1A | 115 BPM | ||
| lonely-road | RashEch | E♭ Minor | 9 | 2A | 100 BPM | ||
| When Truth Lies | Vanishing Point | C Minor | 10 | 5A | 83 BPM | ||
| All Falls Down | Flying Colors | C Major | 10 | 8B | 100 BPM | ||
| Wither to Black | Sons Of Apollo | D Minor | 10 | 7A | 196 BPM | ||
| The End | Tim Donahue, James Labrie | A Major | 6 | 11B | 154 BPM | ||
| Resurrection | Ark | A♭ Major | 9 | 4B | 131 BPM | ||
| The One | Circus Maximus | B Minor | 9 | 10A | 130 BPM | ||
| Falling In Between | TOTO | D Major | 7 | 10B | 174 BPM | ||
| Forever In A Daze | Flying Colors | A Major | 10 | 11B | 118 BPM | ||
| Lost in Oblivion | Sons Of Apollo | C Major | 10 | 8B | 131 BPM | ||
| Behind the Veil | Dream Theater | E Minor | 10 | 9A | 76 BPM | ||
| Fall on You | Redemption | D Major | 8 | 10B | 155 BPM | ||
| Victims | Shadow Gallery | D Minor | 7 | 7A | 148 BPM | ||
| A New Beginning | Darkwater | A♭ Major | 9 | 4B | 95 BPM | ||
| Under Dark Skies | Ray Alder | D♭ Minor | 8 | 12A | 84 BPM |