Margaret Elliott's ' "The Last Call" was released on its scheduled release date, August 4, 1995. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Last Call's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "The Daffan Records Story". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Last Call is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Last Call by Margaret Elliott having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fabulous | Charlie Gracie | F♯ Minor | 6 | 11A | 174 BPM | ||
| I've Heard That Line Before | Ruby Ann | G Major | 4 | 9B | 122 BPM | ||
| Catching you, my love | KROMAA | F♯ Minor | 6 | 11A | 174 BPM | ||
| Shadows on the Bayou | Johnny Horton | E♭ Major | 3 | 5B | 113 BPM | ||
| Blueberry Hill | Fats Domino | B Major | 5 | 1B | 133 BPM | ||
| That's Amore | Lou Monte | C Minor | 5 | 5A | 131 BPM | ||
| Midnight Flyer | Nat King Cole | C Major | 5 | 8B | 62 BPM | ||
| Lippenstift am Jacket (Lipstick On Your Collar) - 2005 Digital Remaster | Conny Froboess | G Major | 5 | 9B | 83 BPM | ||
| Come on Over | The Surfratones | C Major | 6 | 8B | 153 BPM | ||
| In a Turkish Town | Ritchie Valens | E Major | 2 | 12B | 131 BPM | ||
| Happy-Go-Lucky-Me - Alternate Take | Paul Evans | A Major | 7 | 11B | 95 BPM | ||
| Purr, Kitty, Purr | Sid King & The Five Strings | F♯ Minor | 6 | 11A | 174 BPM | ||
| Lovesick Blues (with Patsy Cline) | Dolly Parton, Tammy Wynette, Loretta Lynn, Patsy Cline | A Major | 8 | 11B | 154 BPM | ||
| Heart Beat | Tommy Roe | A Major | 5 | 11B | 88 BPM | ||
| I Got Lucky | Elvis Presley | A♭ Major | 6 | 4B | 96 BPM | ||
| SO LONG BABE | Nancy Sinatra | G Major | 5 | 9B | 149 BPM | ||
| Sorrow Tomorrow | Bobby Darin | A Major | 5 | 11B | 155 BPM | ||
| Good Luck Charm | Elvis Presley | F♯ Minor | 6 | 11A | 174 BPM | ||
| Love Me to Pieces | Sue Thompson | C Major | 4 | 8B | 82 BPM | ||
| Bad Girl | Pokey LaFarge | C Minor | 5 | 5A | 187 BPM | ||
| Pink Shoe Laces | The Chordettes | E Major | 2 | 12B | 139 BPM | ||
| Who Shot Sam? | George Jones | F♯ Minor | 6 | 11A | 174 BPM | ||
| Ain’t Always Better Your Way | Kitty, Daisy & Lewis | C Major | 7 | 8B | 139 BPM | ||
| Puppy Love | Dolly Parton | E Major | 5 | 12B | 97 BPM | ||
| You Better Not Do That | Dion & The Belmonts | E♭ Major | 6 | 5B | 186 BPM |