"The Soldier's Tale: Part 2: The Devil's Dance - Japanese Narration by Kanji Ishimaru" by Igor Stravinsky, Michael Henry Flanders, Kitty Black, Kanji Ishimaru had its release date on 1961. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Stravinsky: The Soldier's Tale (Conducted by Stravinsky, Narrated by Kanji Ishimaru)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The Soldier's Tale: Part 2: The Devil's Dance - Japanese Narration by Kanji Ishimaru is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Soldier's Tale: Part 2: The Devil's Dance - Japanese Narration by Kanji Ishimaru by Igor Stravinsky, Michael Henry Flanders, Kitty Black, Kanji Ishimaru having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Honegger: Danse de la Chèvre, H. 39 | Arthur Honegger, Emmanuel Pahud | E Minor | 0 | 9A | 90 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Billy the Kid: No. 7, Billy in Prison | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Ethereal Dance | Jarko Vento | D♭ Major | 6 | 3B | 110 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
| Brian: Comedy Overture No. 2 "The Tinker's Wedding" | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | A Major | 0 | 11B | 103 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Major | 2 | 8B | 123 BPM | ||
| Pedro y el Lobo: El Lobo | Sergei Prokofiev, Ensemble Orquestra De Cadaqués, Leonor Watling, Vasily Petrenko | A Minor | 0 | 8A | 67 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Exaudi Orationem Meam | Radoslaw Pallarz, Ensemble Memoria Tenere, Dirk Altmann | C Major | 2 | 8B | 103 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 103 BPM | ||
| The Soldier's Tale: Part 2: Great Choral | Igor Stravinsky, Michael Henry Flanders, Kitty Black, Jeremy Irons, Robert Craft | G Major | 0 | 9B | 168 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| L'histoire du soldat Suite: IV. The Royal March "Pasadoble" | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | B Minor | 1 | 10A | 61 BPM | ||
| Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: I. Zwischen Berg und tiefem Tal | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 96 BPM | ||
| Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe | D Minor | 1 | 7A | 81 BPM |