TAKAO UEMATSU's ' "Samba To Kiki" was released on its scheduled release date, June 16, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Straight Ahead". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. Based on our statistics, Samba To Kiki's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Samba To Kiki by TAKAO UEMATSU having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| NATURALLY | CASIOPEA | F Major | 6 | 7B | 102 BPM | ||
| Spartacus Love Theme | SOIL & “PIMP” SESSIONS | E Minor | 1 | 9A | 103 BPM | ||
| Soshu No Yoru | Toshiko Akiyoshi | G Minor | 3 | 6A | 148 BPM | ||
| 狐の嫁入り行進曲 | 宮間利之とニュー・ハード | G Minor | 4 | 6A | 109 BPM | ||
| Sonora | Ryo Fukui | F Minor | 4 | 4A | 98 BPM | ||
| スワロー | CASIOPEA | C Major | 8 | 8B | 153 BPM | ||
| Talio no ballad | RYUSENKEI, HITOMITOI | D Minor | 3 | 7A | 76 BPM | ||
| ジェントル・ウェイヴ | 稲垣次郎とソウル・メディア | G Minor | 3 | 6A | 112 BPM | ||
| ジェシイの店 | Naoya Matsuoka | F Minor | 8 | 4A | 118 BPM | ||
| Lady Blue | Muzak Orchestra | F Major | 5 | 7B | 84 BPM | ||
| Left Handed Woman | Kenji Omura | G Major | 6 | 9B | 117 BPM | ||
| アンダルシアの風 | Masaru Imada | C Minor | 6 | 5A | 141 BPM | ||
| Bossa Nova Ova | Thad Jones, Pepper Adams Quintet | F Minor | 3 | 4A | 110 BPM | ||
| 街の報せ Rework 黒田卓也 | cero | G Major | 3 | 9B | 87 BPM | ||
| Dolphin Dance | Ahmad Jamal Trio | E Minor | 2 | 9A | 75 BPM | ||
| Hank & Cliff (Live Version) | THE SQUARE | F Major | 7 | 7B | 113 BPM | ||
| イン・ザ・スカイ | Shunzo Ohno | B♭ Major | 4 | 6B | 125 BPM | ||
| エクスペクテイション | 峰厚介 | C Major | 6 | 8B | 132 BPM | ||
| HOW HIGH THE MOON | Eiji Kitamura, Ichiro Masuda | C Major | 1 | 8B | 78 BPM | ||
| La Dolce Vita 1 | Cro-Magnon | F Minor | 8 | 4A | 109 BPM | ||
| SPEAK LOW | Hidehiko Matsumoto | F Minor | 4 | 4A | 132 BPM | ||
| Cumbialada | Jesus Molina, Sam Smith, Nicolas Guerrero | B♭ Minor | 7 | 3A | 130 BPM | ||
| Monad | SOIL & “PIMP” SESSIONS | A Minor | 8 | 8A | 88 BPM | ||
| Pedestrians Crossing | Brenton Kossak, Blaine McGurty | D♭ Major | 4 | 3B | 132 BPM | ||
| UISUKIIGA OSUKIDESHO | Cro-Magnon | F Minor | 2 | 4A | 81 BPM |