The Analogues Sideshow, The Analogues's 'Nothing Can Hurt Me Today' had a release date set for September 9, 2022. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Analogues Sideshow, The Analogues's "Introducing The Analogues Sideshow" album is number 4 out of 13. On top of that, Netherlands appears to be the country where this track was created. The popularity of Nothing Can Hurt Me Today is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nothing Can Hurt Me Today by The Analogues Sideshow, The Analogues to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty Avenues | VENICE | A Major | 5 | 11B | 144 BPM | ||
| Together Again | Hannah Mae | C Major | 4 | 8B | 108 BPM | ||
| Like It Always Was | Danny Vera | F Major | 1 | 7B | 180 BPM | ||
| Goodfoot | The Analogues Sideshow, The Analogues | F Major | 6 | 7B | 172 BPM | ||
| Great For Us | Anouk | C Major | 4 | 8B | 80 BPM | ||
| Sister | Tomas Ferdinand | E Minor | 2 | 9A | 83 BPM | ||
| Hold On To | Janne Schra | G Major | 4 | 9B | 84 BPM | ||
| Living Now | Kooymans & Carillo | F Major | 3 | 7B | 166 BPM | ||
| Cat 13 | Robin Kester | F Major | 3 | 7B | 127 BPM | ||
| Feel At Home | Milo Meskens, Nona | F♯ Minor | 7 | 11A | 162 BPM | ||
| Turned Into Sand | The Analogues Sideshow, The Analogues | F Major | 6 | 7B | 172 BPM | ||
| From The Bottom To The Top | Anouk | E♭ Major | 4 | 5B | 94 BPM | ||
| Southern Man | Leif De Leeuw Band, Berget Lewis | A Major | 8 | 11B | 90 BPM | ||
| Ruled by Rumour | Ruben Hein | E♭ Major | 0 | 5B | 97 BPM | ||
| Falling | Loes Haverkort | F Major | 3 | 7B | 166 BPM | ||
| Stay Little | Racoon | A♭ Major | 5 | 4B | 92 BPM | ||
| The Havoc Wreaker | VanWyck | F♯ Minor | 1 | 11A | 81 BPM | ||
| Tattoo | Will Knox | A♭ Major | 4 | 4B | 77 BPM | ||
| Is It Really Over | Paper Towns, Rosemary & Garlic | F Major | 4 | 7B | 98 BPM | ||
| Fraction | Will Knox | A Minor | 5 | 8A | 76 BPM | ||
| Sweet Jane | Barry Hay, JB Meijers | C Major | 6 | 8B | 172 BPM | ||
| In My Dreams | Dawn Brothers | D♭ Minor | 6 | 12A | 124 BPM | ||
| Beautiful Man | Alison Prestwood, Rodney Crowell | F Major | 2 | 7B | 77 BPM | ||
| Fine Wine | Gildor | D♭ Major | 4 | 3B | 78 BPM | ||
| Dancing In The Dark | Tim Akkerman, The Ivy League | B Major | 8 | 1B | 74 BPM |