Priya Shankar's 'Durge Durgat Bhari Aarti' had a release date set for 2013. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Durge Durgat Bhari Aarti's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Shree Durga Chanting". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Durge Durgat Bhari Aarti's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Durge Durgat Bhari Aarti by Priya Shankar having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MahaKal Bhairav Mantra 108 Times | Siddharth Shankar Srivastav | D Major | 4 | 10B | 123 BPM | ||
| Barah Bhavna | Arohi Anil Agarkar, Ragreshree Anil Agarkar | B Major | 5 | 1B | 130 BPM | ||
| Tamari Pankhma Swami | Baps Swaminarayan Sanstha | F♯ Major | 6 | 2B | 111 BPM | ||
| Jay Dev Jay Dev Jay Shri Ganaraya Lalbaugcha Raja Aarti | Pradnya Annam, Sapna Heman, Mangesh Shirke, Vivek Naik | B♭ Minor | 7 | 3A | 100 BPM | ||
| Shri Kedarnath Suprabhatam (feat.Pt. Mrityunjay Hiremath) | Pandavaas, feat.Pt. Mrityunjay Hiremath | B♭ Major | 2 | 6B | 76 BPM | ||
| Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
| Hanuman Mahamantra Jaap | Aum Dave | E♭ Major | 4 | 5B | 134 BPM | ||
| Sukhkarta Dukhharta Varta Vighnachi Ganesh Aarti | Shraddha Jain | E Minor | 7 | 9A | 92 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Om Bram Breem Broum Sah Budhaya Namah: Budh Beej Mantra 108 Times in 5 Times | Dinesh Arjuna | E Major | 7 | 12B | 82 BPM | ||
| Evening Aarti - Sukhkarta Dukhharta | Chorus | D♭ Major | 5 | 3B | 202 BPM | ||
| Bhor Bhai Din Chadhgaya | Priya Shankar | E♭ Major | 5 | 5B | 96 BPM | ||
| Pitru Stotra | Mangesh Borgaonkar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Morya Re | Amruta Fadnavis | D♭ Major | 6 | 3B | 103 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Radhe Kishori Daya Karo | Baal Gopal, Brijeshwari Goswami | C Major | 4 | 8B | 136 BPM | ||
| Siddhivinayak Namoh - Ganesh Mantra | Suresh Wadkar | F Minor | 4 | 4A | 135 BPM | ||
| Tuzya Namacha Gajar | Vikrant Warde | F♯ Minor | 4 | 11A | 173 BPM | ||
| Aditya Hridayam Stotram | Anirban Bhattacharyya | E♭ Major | 4 | 5B | 132 BPM | ||
| Shiv Tandav Stotram | Madhvi Madhukar | D Major | 5 | 10B | 120 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Banke Bihari Aarti | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 8 | 2B | 150 BPM | ||
| Bhole Ki Jai Shivji Ki Jai Jai | Rishi Nityapragya | B Minor | 8 | 10A | 113 BPM | ||
| Shripad Vallabh Digambara - FAST - Datta Stuti | Mandar Apte, Datta Thite | B♭ Major | 7 | 6B | 91 BPM |