Sweet Relief, Dennis Witcher's ' "That's How I Got To Memphis" was released on its scheduled release date, June 20, 2025. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Can Help by Sweet Relief. The song's track number on the album is #11 out of 18 tracks. The popularity of That's How I Got To Memphis is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since That's How I Got To Memphis by Sweet Relief, Dennis Witcher has a tempo of 183 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With That's How I Got To Memphis being at 183 BPM, the half-time would be 92 BPM with a double-time of 366 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Lone Leaf | Steve Forbert | E Major | 6 | 12B | 115 BPM | ||
| Baltimore Oriole | John Mellencamp | E Minor | 8 | 9A | 141 BPM | ||
| Sixth Line Road | Julian Taylor | A♭ Major | 3 | 4B | 96 BPM | ||
| Running from the Devil | Tone of Voice Orchestra, Trinelise Væring, Fredrik Lundin | A Major | 4 | 11B | 137 BPM | ||
| Please Don't Tell Me Why | Ron Sexsmith | F Major | 5 | 7B | 141 BPM | ||
| Learning To Love | Mike Farris | E Major | 6 | 12B | 85 BPM | ||
| Workin' No More Blues | Robbie Fulks | B Major | 2 | 1B | 85 BPM | ||
| You Ain’t Above Me - Whisper Sessions | Warren Haynes | E Major | 3 | 12B | 69 BPM | ||
| Take My Hand | Mission Road | C Major | 5 | 8B | 110 BPM | ||
| Silver Silverado | Sean O'Reilly | D Major | 7 | 10B | 135 BPM | ||
| Back to Life | Cordovas | C Major | 6 | 8B | 96 BPM | ||
| Before We Said Goodbye | The Third Mind | G Major | 4 | 9B | 96 BPM | ||
| Floating On The Surface | Kim Richey | D♭ Major | 4 | 3B | 103 BPM | ||
| Goliath (Road Show) | Dark Water, SistaStrings | C Major | 6 | 8B | 96 BPM | ||
| Maybelle's Guitar | Sue Foley | C Major | 4 | 8B | 94 BPM | ||
| Keep The Light On | Shelby Lynne | A♭ Major | 4 | 4B | 142 BPM | ||
| River of souls | No Wheels | B Minor | 7 | 10A | 93 BPM | ||
| Mrs. Robinson | Sina | D Major | 5 | 10B | 80 BPM | ||
| You Called Me Kid | Pete Droge | C Major | 2 | 8B | 134 BPM | ||
| The Ones | The Autumn Defense | A Major | 7 | 11B | 107 BPM | ||
| Give the Boy a Kiss | Chuck Prophet, Qiensave | F♯ Minor | 5 | 11A | 76 BPM | ||
| Thousand Miles of Chain | William Prince | D Major | 7 | 10B | 114 BPM | ||
| Stay Home with You | Matt Andersen | D Major | 3 | 10B | 91 BPM | ||
| The Stars and the Rain | Pat Blake and the Bad Hombres | A Major | 5 | 11B | 146 BPM | ||
| Getting Older | Martyn Joseph | C Major | 4 | 8B | 133 BPM |