"Homages: II. In the Dew" by Cheryl Frances-Hoad, Ivana Gavrić had its release date on June 30, 2017. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Homages: II. In the Dew's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Homages: II. In the Dew is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Homages: II. In the Dew by Cheryl Frances-Hoad, Ivana Gavrić having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | C Major | 4 | 8B | 138 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Introit: Gaudeamus omnes: I. Gaudeamus omnes | William Byrd, Stile Antico | C Minor | 2 | 5A | 92 BPM | ||
| As one who has slept | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 76 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM | ||
| Even You Song: V. Magnificat | Cheryl Frances-Hoad, Peterborough Cathedral Choir, St. Augustine's Junior School Choir, Bishop Creighton Academy Choir, West Town Primary Academy Choir, William Law CE Primary School Choir, David Humphreys, Steven Grahl | C Major | 1 | 8B | 122 BPM | ||
| Mass for 5 Voices: VI. Agnus Dei | William Byrd, Collegium Vocale Gent, Philippe Herreweghe | E♭ Major | 1 | 5B | 79 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| They bore him bare-faced on the bier (arr. for lute by Jonas Nordberg) | Cheryl Frances-Hoad, Ruby Hughes, Jonas Nordberg | D♭ Major | 1 | 3B | 139 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
| 2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 69 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | ||
| American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 66 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | C Major | 0 | 8B | 124 BPM | ||
| 4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E Minor | 1 | 9A | 68 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | D♭ Major | 1 | 3B | 139 BPM | ||
| Wishes | Fraser Wilson, Apollo5 | E Minor | 0 | 9A | 99 BPM | ||
| Invocatio | Cheryl Frances-Hoad, Wihan Quartet | G Major | 2 | 9B | 173 BPM | ||
| Det är en ros utsprungen | Michael Praetorius, Swedish Chamber Choir, Simon Phipps | C Minor | 0 | 5A | 66 BPM | ||
| Vespro della Beata Vergine, SV 206: Psalmus "Lauda Jerusalem" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | F Major | 3 | 7B | 140 BPM | ||
| När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | B♭ Major | 0 | 6B | 136 BPM |