ロジャー・ワーグナー・コラール's 'アビニヨンの橋の上で' had a release date set for December 14, 2005. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. アビニヨンの橋の上で's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 新BEST NOW 21 コーラス, so we believe that "アビニヨンの橋の上で" is a single. アビニヨンの橋の上で is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of アビニヨンの橋の上で by ロジャー・ワーグナー・コラール is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 故郷を離るる歌 | ロジェー・ワーグナー合唱団 | E♭ Major | 1 | 5B | 134 BPM | ||
| Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
| Holst: 6 Choruses, Op. 53: No. 6, Before Sleep | Gustav Holst, Baccholian Singers of London, English Chamber Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Fem Bellmansånger - Aldrig en Iris | Linköpings Studentsångarförening Lihkören | G Major | 1 | 9B | 171 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Cavalleria rusticana - The Green Meadows Are Fragrant with Oranges | Pietro Mascagni, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B Major | 2 | 1B | 63 BPM | ||
| Requiem, Op. 9: Kyrie | Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus | F Major | 2 | 7B | 115 BPM | ||
| Jerusalem: And did those feet in ancient time (Jerusalem) | Hubert Parry, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 2 | 10B | 96 BPM | ||
| Pantomime | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Sauguet: Berceuse créole | Henri Sauguet, Régine Crespin, John Wustman | E♭ Major | 0 | 5B | 65 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 1, La Pastoura Als Camps (the Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 98 BPM | ||
| Messe solennelle de Sainte Cécile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM | ||
| How Can I Keep from Singing? | The Biralee Blokes, Ashreya Ward, Justine Favell, Paul Holley | A♭ Major | 1 | 4B | 123 BPM | ||
| Trial by Jury: A Nice Dilemma | Gilbert & Sullivan Society of Houston | E♭ Major | 3 | 5B | 81 BPM | ||
| Love's Philosophy, Op. 3, No. 1 | Roger Quilter, Kathryn Rudge, James Baillieu | A Major | 2 | 11B | 86 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | D♭ Minor | 0 | 12A | 77 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM |