Humane Sagar's ' "Kaha Kemiti A Akhire-Male" was released on its scheduled release date, October 25, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Baidyanath Dash, Subrat Routray's "Laila O Laila" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kaha Kemiti A Akhire-Male is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Kaha Kemiti A Akhire-Male by Humane Sagar to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Mo Valentine 2.0 | Kuldeep Pattnaik | F Major | 6 | 7B | 105 BPM | ||
| Sei Barsha Sei Rati | Gaurav Anand | F Major | 5 | 7B | 95 BPM | ||
| Venge Chure Jai | Imran Mahmudul | A Minor | 6 | 8A | 80 BPM | ||
| Aei Mo Jibana Re | Humane Sagar | F♯ Major | 3 | 2B | 64 BPM | ||
| Kuncha Mara Saadhi | UMAKANT BARIK, Ipsita Sahu | B Major | 9 | 1B | 176 BPM | ||
| Bhuligalu Tu | Humane Sagar | B Minor | 8 | 10A | 80 BPM | ||
| Sajni Tor Pyar | Vivek Nayak | C Major | 7 | 8B | 150 BPM | ||
| Eka Thaka Shikhe Gechi | Sathi Khan | B Major | 6 | 1B | 100 BPM | ||
| Payanave (From "Seetha Payana") (Kannada) | Anup Rubens, Sathyaprakash, Bharatha Janani | D♭ Minor | 8 | 12A | 134 BPM | ||
| Jabo Hariye | Arfin Rumey | C Major | 9 | 8B | 115 BPM | ||
| Jagatare Paibuni Emiti Thakuratie 2.0 | Satyajit Pradhan | D♭ Minor | 7 | 12A | 135 BPM | ||
| Udi Udi Bimanare Jiba | Antara Chakraborty, Humane Sagar | B♭ Minor | 9 | 3A | 84 BPM | ||
| Bondhu Tor Pirite Mon Mojaiya | Foridul Islam | A♭ Major | 6 | 4B | 175 BPM | ||
| Nani Maruchu | Abinash Dash | F Minor | 8 | 4A | 126 BPM | ||
| Maruchi To Pain To Pageli | Amrita Nayak, Shubhransu Nayak | D♭ Minor | 7 | 12A | 159 BPM | ||
| Tu Bada Thakura Na Thaka Thakura | Diptimayee Das | D Minor | 5 | 7A | 98 BPM | ||
| He Jagannath Mo Jagannath | Milan Dash, Sourav Bharadwaj | B♭ Minor | 6 | 3A | 112 BPM | ||
| Baula Mon | F A Sumon | B♭ Minor | 5 | 3A | 82 BPM | ||
| Barnana | MrinmayMS, Debanshi Dash | D♭ Minor | 7 | 12A | 140 BPM | ||
| Anupama | Abinash Dash | D Minor | 6 | 7A | 141 BPM | ||
| Bhijuchhe Mor Sundri Rani | Pratham Kumbhar, Subhradeepa Mohanty | C Minor | 8 | 5A | 174 BPM | ||
| Ovimani Mon Amar | Mahdi Sultan | B♭ Major | 6 | 6B | 110 BPM | ||
| Boka Mon | Acoustic Dipankar | G Major | 6 | 9B | 92 BPM | ||
| Kerkera - From "Charidham" | Humane Sagar, Pamela Jain, Somesh Satpathy, Satyajeet Jena, Ananya Sritam Nanda, Baidyanath Dash, Ranjan Nayak | D♭ Minor | 9 | 12A | 105 BPM | ||
| Maa Lo Maa 2.O | Sourav Bharadwaj | C Major | 7 | 8B | 99 BPM |