Rawat Dev, Tara Purohit's ' "Dhore Mathi Mhari" was released on its scheduled release date, January 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rawat Dev,Tara Purohit's "Jaipur Wali" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Dhore Mathi Mhari's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Dhore Mathi Mhari by Rawat Dev, Tara Purohit to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shikotar Mataji No Aalap | Jayesh Kharvada | F Minor | 8 | 4A | 141 BPM | ||
| Mot Nai Mane Tari Yaad Mari Nakhshe | Jayesh Sodha | B♭ Major | 9 | 6B | 138 BPM | ||
| Durge Maiya We - Uttarakhandi | Khushi Joshi | B♭ Major | 10 | 6B | 144 BPM | ||
| Love You Lifetime | Vijay Jornang | G Major | 8 | 9B | 106 BPM | ||
| Arji Pe Arji Maine Kari Mahara Sanwara Sarkar | Mukesh Mahadeva | B Minor | 9 | 10A | 109 BPM | ||
| Kali Chaudas Nu Ven Meldi Bole | Pravin Luni, JK Timba | D♭ Minor | 9 | 12A | 126 BPM | ||
| Mandavda Parne Thakar Nakhrala 2 | Hansha Bharwad | E Major | 9 | 12B | 135 BPM | ||
| Mare Pivi Pade Nasani Golio | Dinesh Thakor Jakshan | D♭ Minor | 8 | 12A | 125 BPM | ||
| Johar Vala | Jeliya Bhuriya | C Major | 8 | 8B | 132 BPM | ||
| Te Je Mari Jindagi Bagadi | Kajal Maheriya | B♭ Minor | 9 | 3A | 96 BPM | ||
| Ramapir Ni Aarti | Milan Kakdiya | A♭ Major | 10 | 4B | 93 BPM | ||
| Jogani Maa No Aalap | Nitin Kolvada | B♭ Minor | 7 | 3A | 150 BPM | ||
| Koi Na Hatu Tyare Mari | Falguni Pathak | F Major | 8 | 7B | 190 BPM | ||
| Ambe Maadi Bole Ne | Kirtidan Gadhvi | F♯ Major | 9 | 2B | 211 BPM | ||
| Gokulno Govaliyo | Kirtidan Gadhvi, Jignesh Barot | A Minor | 9 | 8A | 80 BPM | ||
| Surapura Dada Ni Aarti | Mita Chauhan | F Major | 8 | 7B | 90 BPM | ||
| Tu To Rupiye Tolai | Jignesh Barot | A♭ Minor | 7 | 1A | 138 BPM | ||
| Sadhimani Aarti | Jignesh Barot, Kajal Maheriya | E♭ Minor | 8 | 2A | 77 BPM | ||
| Bewafai | Dhaval Kapadia, Umesh Barot | D♭ Minor | 9 | 12A | 199 BPM | ||
| Bhaibandhi Amari (Female Version) | Devalben Gadhvi | F Minor | 9 | 4A | 111 BPM | ||
| Aaga Nauwe Dubu Dubu | Zubeen Garg | F♯ Major | 7 | 2B | 78 BPM | ||
| Vis Nu Ven Aekvis No Vadhavo | Gaman Santhal, Tejas Vaghela | G Major | 7 | 9B | 199 BPM | ||
| Maa Pava Te Gadhathi | Kishore Manraja | E♭ Major | 5 | 5B | 50 BPM | ||
| Chuti Gai Aasha | Kajal Maheriya | D♭ Minor | 10 | 12A | 135 BPM | ||
| Navrat Naveli Badi Albeli | Kinjal Dave | B Minor | 8 | 10A | 200 BPM |