Hemachandra Vedala, Anthony Daasan, Vishal Chandrasekhar, Krishna Kanth's ' "Rara Ravera" was released on its scheduled release date, January 11, 2016. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vishal Chandrasekhar's "Krishnagadi Veera Prema Gaadha" album is number 1 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Rara Ravera is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Rara Ravera by Hemachandra Vedala, Anthony Daasan, Vishal Chandrasekhar, Krishna Kanth to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Okkade Okkade | Raja Hasan, Noel Sean, Lipsika Bhashyam | D♭ Major | 8 | 3B | 95 BPM | ||
| Maa Daddy Pockets | Siddharth | G Major | 9 | 9B | 90 BPM | ||
| Pichaak | Varikuppala Yadagiri | D Major | 5 | 10B | 127 BPM | ||
| Manmadha | Mallikarjun, Mahalakshmi Iyer | F Minor | 7 | 4A | 88 BPM | ||
| Pushpa | Nakash Aziz | D♭ Major | 8 | 3B | 128 BPM | ||
| Orinayano | Malathi, Vijay Prakash | B Major | 6 | 1B | 90 BPM | ||
| Ravanamma | Raghu Kunche | D♭ Minor | 3 | 12A | 159 BPM | ||
| Gumma (From "Ambajipeta Marriage Band") | Shekar Chandra | D Minor | 7 | 7A | 157 BPM | ||
| Naa Meede | Hemachandra Vedala | G Major | 8 | 9B | 161 BPM | ||
| Ullasanga | Krish | G Major | 8 | 9B | 110 BPM | ||
| Joole Joole | Mallikarjun, Kalpana Patowary | D♭ Major | 9 | 3B | 108 BPM | ||
| Bujjiamma Bujjiamma | Gold Devaraj | D♭ Major | 7 | 3B | 140 BPM | ||
| Bhagdad Gajadongai Vasta | Ravi Varma, Sunidhi Chauhan | B♭ Minor | 6 | 3A | 100 BPM | ||
| Sunday Monday | Mani Sharma, Hemachandra Vedala, Malavika | C Major | 6 | 8B | 118 BPM | ||
| Endhukuley Ila | R. P. Patnaik | A Major | 8 | 11B | 145 BPM | ||
| Thu Go Jilla | Daler Mehndi, Chaitra | F Major | 9 | 7B | 134 BPM | ||
| Chirunavve Visirave Remix | Vijay Prakash | G Major | 9 | 9B | 135 BPM | ||
| Okka Nuvvu Chaalu | Anudeep Dev, Ghibran | C Major | 5 | 8B | 140 BPM | ||
| Chiguraku Chatu | S.P. Charan, Sujatha | A♭ Major | 6 | 4B | 94 BPM | ||
| Chinnadana Neekosam | Raja Hasan | D♭ Minor | 6 | 12A | 94 BPM | ||
| Ria | Deepak Blue, Rabbit Mac | B Minor | 7 | 10A | 140 BPM | ||
| Bujjaama (From "Ka") | Sam C.S., Sarath Santosh, Sanapati Bharadwaj Patrudu | B Major | 6 | 1B | 156 BPM | ||
| Narajugakura | Ramana Gogula | B Minor | 9 | 10A | 103 BPM | ||
| Apudo Ipudo | Siddharth | G Major | 7 | 9B | 103 BPM | ||
| Olammi Tikkareginda | NTR Jr, Mamta Mohandas | F Minor | 9 | 4A | 132 BPM |