Víctor Reyes's 'End Credits' had a release date set for March 6, 2012. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. End Credits's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Red Lights". In this album, this song's track order is #21. End Credits is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With End Credits by Víctor Reyes having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Escape Pod | Bear McCreary | F♯ Minor | 2 | 11A | 89 BPM | ||
| Moby Dick | Christopher Lennertz | A Minor | 0 | 8A | 67 BPM | ||
| Min pappa är död | Isak Lundberg | E Minor | 1 | 9A | 129 BPM | ||
| Jakob & Bella Escape | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| The Findings | Marcelo Zarvos | B Minor | 0 | 10A | 69 BPM | ||
| Basslinefield | Velora | A♭ Major | 1 | 4B | 85 BPM | ||
| A Mother's Guilt | Jeff Beal | C Minor | 1 | 5A | 79 BPM | ||
| Fix You | Denis Christ, DEUX | F Minor | 3 | 4A | 115 BPM | ||
| Marcatori | EDO ZENITH | F♯ Minor | 2 | 11A | 76 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Cleon's Secret Robot | Bear McCreary, Sparks & Shadows | B♭ Minor | 1 | 3A | 167 BPM | ||
| The Only Story | Bear McCreary | F Minor | 1 | 4A | 113 BPM | ||
| Mark on the Bridge | Jessica Jones | E Minor | 1 | 9A | 129 BPM | ||
| Aerial Risks | Blair Mowat | G Major | 1 | 9B | 73 BPM | ||
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| A Father's Lessons | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM | ||
| Chasing the Love of Strangers | Jeff Danna | C Minor | 1 | 5A | 69 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM | ||
| Competidores Reales | Verdes Atardeceres | A Major | 2 | 11B | 77 BPM | ||
| We Are Not Alone | Blair Mowat | C Minor | 2 | 5A | 102 BPM | ||
| Rendimientos Exactos | Casualidades Del Destino | G Major | 1 | 9B | 61 BPM |