On January 30, 2026, the song "Jhina Jhina Ghughra Dashama" was released by Ramesh Mali. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Jhina Jhina Ghughra Dashama and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Jhina Jhina Ghughra Dashama is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jhina Jhina Ghughra Dashama by Ramesh Mali to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Naam Heera Hai Jag Mein Anmol Re Bundeli Bhakti Geet | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 104 BPM | ||
| Hum Omkarji Nhavn Jawanga Mai Reva M Dubki Lagawanga | Nimadi Maa Narmada Bhajan | Ashwin Yadav | B♭ Minor | 9 | 3A | 157 BPM | ||
| Bheruji Mataji Rachna Kuch Naye Andaj Me | Anita Jangid | E Major | 7 | 12B | 113 BPM | ||
| Naman Karo Baba Mohan Ram Ko | Gyanender Sardhana | D♭ Minor | 10 | 12A | 136 BPM | ||
| Prakat Kudhe Se Ho Gaye Kudeshwar Bhagwan Bundeli | Chandra Bhushan Pathak | A♭ Major | 10 | 4B | 140 BPM | ||
| Ghorbol Ke Mela Mein Bheed Ghani | Prakash Mali, Ramesh Mali | A Major | 10 | 11B | 90 BPM | ||
| Aarti Om Jay Jagdish Hare | prakashdasswamiofficial | A♭ Major | 9 | 4B | 89 BPM | ||
| Gunje Momaji Valo Nam Re - Original | Jog Bharati, Geeta Goswami, NA | F♯ Major | 9 | 2B | 90 BPM | ||
| Sanwara Mari Halat Dekh | Ratan Rao | F Major | 9 | 7B | 75 BPM | ||
| मां काली दिन रात रोवै मेरा लाल | Rajphool Kuchrania | B♭ Major | 7 | 6B | 136 BPM | ||
| Balaji Mera Rog Kaat De | Narender Kaushik | G Major | 10 | 9B | 129 BPM | ||
| Ek Arji Sunjo Siyana Ra Dhaniya | Rekha Parmar, Viru Nehad | B Minor | 5 | 10A | 140 BPM | ||
| Veer Katha | Jog Bharti | B♭ Major | 8 | 6B | 85 BPM | ||
| Chhoti Si Kutiya Meri | Ram Kumar Lakkha | B Major | 7 | 1B | 144 BPM | ||
| Bhasm Bhabhut Se Khele Holi | Kishan Bhagat | F Major | 9 | 7B | 135 BPM | ||
| Dil Le Gao Muraliya Vale | Halke Ram Kushwah | A♭ Major | 9 | 4B | 188 BPM | ||
| Kardenga Come Back Dobara | Viahal Meena | G Major | 9 | 9B | 100 BPM | ||
| Balaji Tera Roop Nirala Hai | Narender Kaushik | G Major | 10 | 9B | 150 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| पांच गांव पांडवा ने देदो बाकी राज तुम्हारा | Jeta Goswami | A♭ Minor | 9 | 1A | 150 BPM | ||
| Pragtya Prabodhjivan Das | Toronto Rhythm | D Major | 6 | 10B | 80 BPM | ||
| peli simru ye mata kalka | Shambhu Dhangar | E♭ Major | 9 | 5B | 181 BPM | ||
| Pyari Lage - Original | Harsh Mali, NA | E Major | 7 | 12B | 160 BPM | ||
| Sanwara Mandfiya Me Aayo Kismat Khol De | Ratan Rao | F♯ Major | 10 | 2B | 170 BPM | ||
| Dholagad Dholki Vage Maharaj | Asha Vaishnav | D Major | 8 | 10B | 130 BPM |