Bob Baffy's ' "Sound the Alarms" was released on its scheduled release date, November 20, 2017. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Sound the Alarms's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Reload: Z-Team (Original Soundtrack)". In this album, this song's track order is #8. Based on our statistics, Sound the Alarms's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sound the Alarms by Bob Baffy having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pink Slip Protocol | Justin E. Bell | C Major | 5 | 8B | 160 BPM | ||
| The Ruin | Curtis Schweitzer | D Minor | 8 | 7A | 135 BPM | ||
| Infiltration | Chris Remo | G Major | 0 | 9B | 176 BPM | ||
| Intro (FMV) | Bob Baffy | D Major | 5 | 10B | 0 BPM | ||
| Those Are Pearls That Were Her Eyes | Mickymar Productions Ltd | A Minor | 3 | 8A | 176 BPM | ||
| The Spirits | Nick Roder | G Minor | 0 | 6A | 69 BPM | ||
| Prisoner's Awakening | Yoann Laulan | A♭ Major | 5 | 4B | 135 BPM | ||
| What's Buried Should Stay | Ryan Ike | C Major | 6 | 8B | 155 BPM | ||
| Marked for Death (Instrumental) | Port Sulphur Band, Dominik Zingler | F♯ Minor | 2 | 11A | 90 BPM | ||
| Magnus Theme | PUMCAM, Antimo & Welles | E♭ Major | 7 | 5B | 159 BPM | ||
| Bummer, Man | Bob Baffy | A♭ Major | 3 | 4B | 102 BPM | ||
| Born Unto Trouble | Marcin Przybyłowicz | C Major | 7 | 8B | 170 BPM | ||
| Plangent | Dave Dexter | A Major | 10 | 11B | 125 BPM | ||
| Surviving Exile | Darren Korb | G Major | 6 | 9B | 172 BPM | ||
| Maridia (Swampy Caverns) [From "Super Metroid GMB Cinematic Soundtrack"] | GMB Sound Team | D♭ Major | 4 | 3B | 146 BPM | ||
| Hitched High Rail (Tension Remix) | Traz Damji, Ben McCullough | D Major | 9 | 10B | 135 BPM | ||
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Get Bertrand | JD Mayer | D Major | 4 | 10B | 160 BPM | ||
| Our Planet is Dying | Paul Ruskay | B♭ Minor | 3 | 3A | 110 BPM | ||
| Lightless Labyrinth | Lotus Engine | A Minor | 7 | 8A | 145 BPM | ||
| Red Sunset (Tension Remix) | Jono Grant, Ben McCullough | B♭ Major | 7 | 6B | 177 BPM | ||
| Endless Dungeon (Main Title) | Arnaud Roy | C Major | 4 | 8B | 61 BPM | ||
| Helmet Bump Rock | Traz Damji | G Major | 6 | 9B | 114 BPM | ||
| Old War Machines | Ben Prunty | C Minor | 6 | 5A | 180 BPM | ||
| The Docks | David Joseph Wesley | G Major | 7 | 9B | 100 BPM |