"E-3A" by Ryuichi Sakamoto had its release date on 1980. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 8 in B-2 Unit by Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of E-3A is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of E-3A by Ryuichi Sakamoto is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Perfect Day - Piano Komorebi Version | Patrick Watson | E♭ Major | 1 | 5B | 141 BPM | ||
| メリークリスマス・ミスター・ローレンス | 川久保賜紀・遠藤真理・三浦友理枝トリオ | B♭ Minor | 2 | 3A | 96 BPM | ||
| Calm - Original Mix | Elara Lilara | F♯ Minor | 2 | 11A | 76 BPM | ||
| De Luce et Umbra | Jóhann Jóhannsson, The Dirac Quartet | E Minor | 2 | 9A | 166 BPM | ||
| Sheep | Hiroshi Yoshimura | G Major | 1 | 9B | 81 BPM | ||
| Late | Nils Frahm | G Minor | 0 | 6A | 110 BPM | ||
| Saudade (When We Are Born) | Ólafur Arnalds | D Major | 0 | 10B | 100 BPM | ||
| 東京日和 - Orchestra Version | Taeko Onuki, Ryuichi Sakamoto | A Major | 2 | 11B | 81 BPM | ||
| Approaching the Beast | Nicolas Godin | A Minor | 2 | 8A | 145 BPM | ||
| Gymnopedie No 1 | Francis Poulenc | E Minor | 1 | 9A | 89 BPM | ||
| Yumeji’s Theme (From "In the Mood for Love") | Shigeru Umebayashi, Brussells Philharmonic, Dirk Brossé | C Minor | 0 | 5A | 121 BPM | ||
| Peer | Hi'Spec | B Minor | 0 | 10A | 148 BPM | ||
| Drive My Car (The truth, no matter what it is, isn't that frightening) | Eiko Ishibashi | F♯ Major | 0 | 2B | 76 BPM | ||
| Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | ||
| ジブラルタルの風 | Takashi Kako | G Minor | 1 | 6A | 81 BPM | ||
| Dance PM | Hiroshi Yoshimura | F♯ Minor | 2 | 11A | 76 BPM | ||
| 春よ、来い | Shinya Kiyozuka | B♭ Minor | 1 | 3A | 139 BPM | ||
| universes | Omega Music Library, Marcus D, Gerson Zaragoza | F♯ Minor | 2 | 11A | 76 BPM | ||
| 父亲的上班路 | 金承志, 上海彩虹室内合唱团 | E Major | 1 | 12B | 126 BPM | ||
| 3 Gymnopédies: 1. Lent et douloureux | Erik Satie, Alice Sara Ott | G Major | 0 | 9B | 76 BPM | ||
| Tong Poo (from “Opus") | Ryuichi Sakamoto | G Minor | 1 | 6A | 95 BPM | ||
| Sunlight | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 2 | 2A | 36 BPM | ||
| Dream | Hiroshi Yoshimura | F♯ Minor | 2 | 11A | 76 BPM | ||
| Nami | MEITEI | D♭ Major | 7 | 3B | 151 BPM | ||
| Drive My Car (Cassette) | Eiko Ishibashi | B Minor | 1 | 10A | 94 BPM |