Gillian Welch's ' "One Morning" was released on its scheduled release date, July 28, 1998. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. One Morning's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gillian Welch's "Hell Among The Yearlings" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. The popularity of One Morning is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of One Morning by Gillian Welch to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soldier, Soldier | Natalie Merchant | B♭ Minor | 6 | 3A | 116 BPM | ||
| Lua | Conor Oberst, Gillian Welch | D Major | 3 | 10B | 90 BPM | ||
| Lady Margret | Cassie Franklin | D♭ Minor | 0 | 12A | 108 BPM | ||
| Quitting Time | The Roches | B Major | 2 | 1B | 137 BPM | ||
| These Hills | Iris DeMent | B Major | 2 | 1B | 137 BPM | ||
| Death in Arkansas | Eliza Gilkyson | A♭ Major | 4 | 4B | 144 BPM | ||
| Rattle My Cage | Linda Ronstadt, Ann Savoy | G Major | 3 | 9B | 156 BPM | ||
| Loretta - Live From The Ryman Auditorium, Nashville/2004 | Norah Jones, Gillian Welch, David Rawlings | E♭ Major | 4 | 5B | 138 BPM | ||
| Westby | Kathleen Edwards | A♭ Major | 8 | 4B | 130 BPM | ||
| Rock Salt and Nails | Willie Watson | F Major | 0 | 7B | 122 BPM | ||
| Plow To The End Of The Row | Adrienne Young, Little Sadie | C Major | 2 | 8B | 149 BPM | ||
| Horseback in My Dreams | Corinne West, Kelly Joe Phelps | F Major | 2 | 7B | 88 BPM | ||
| James Alley Blues | Willie Watson | D Major | 1 | 10B | 142 BPM | ||
| Heart That You Own | Jim Matt, Rhonda Vincent, Gillian Welch, Sara Evans, Bonnie Bramlett, The Blazers, Pete Drodge | B♭ Major | 2 | 6B | 112 BPM | ||
| Farewell to Fiddler's Rim | Dave Carter, Tracy Grammer | G Major | 5 | 9B | 79 BPM | ||
| Precious Time | Maria McKee | D Major | 2 | 10B | 87 BPM | ||
| I Really Don’t Want To Know | Jerry Lee Lewis, Gillian Welch | C Major | 5 | 8B | 78 BPM | ||
| Winter's Come and Gone | Gillian Welch | B♭ Major | 3 | 6B | 96 BPM | ||
| Real Good on My Own | Tift Merritt | A Major | 1 | 11B | 71 BPM | ||
| Come All You Virginia Girl | Foghorn Stringband | D Major | 3 | 10B | 112 BPM | ||
| Hello in There | John Prine | C Major | 3 | 8B | 135 BPM | ||
| Joe Hill | Colin Meloy, Gillian Welch, Joan Baez | G Major | 5 | 9B | 152 BPM | ||
| Feeling of Beauty | Tift Merritt | E♭ Major | 4 | 5B | 97 BPM | ||
| City Of Refuge | Abigail Washburn | B♭ Major | 4 | 6B | 127 BPM | ||
| Engine 143 | The Kossoy Sisters | A♭ Major | 2 | 4B | 79 BPM |