The Sleeping's 'Sunday Matinee (Reel To Real)' had a release date set for February 6, 2007. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 16 in Believe What We Tell You by The Sleeping. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sunday Matinee (Reel To Real) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sunday Matinee (Reel To Real) by The Sleeping is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You've Made Us Conscious | The Audition | B Major | 9 | 1B | 90 BPM | ||
| Same Thing We Do Everyday Pinky | Broadway, Craig Owens | F Minor | 9 | 4A | 160 BPM | ||
| KIssing Cousins | Closure in Moscow | B Minor | 9 | 10A | 147 BPM | ||
| Here I Stand | Madina Lake | A♭ Major | 9 | 4B | 95 BPM | ||
| Shoot from the Hip | A Change of Pace | F♯ Minor | 10 | 11A | 178 BPM | ||
| Our Revolution | Halifax | G Minor | 10 | 6A | 103 BPM | ||
| Tell Them That She's Not Scared | Envy On The Coast | A Minor | 8 | 8A | 135 BPM | ||
| Treading Water | Proceed | F♯ Minor | 9 | 11A | 112 BPM | ||
| Born and Raised | Alexisonfire | D♭ Major | 10 | 3B | 100 BPM | ||
| I Mostly Copy Other People | The Almost | C Major | 9 | 8B | 174 BPM | ||
| I Let Go | Eighteen Visions | F♯ Minor | 10 | 11A | 158 BPM | ||
| Cold Company | Minus the Bear | B Minor | 9 | 10A | 153 BPM | ||
| Blame Me! Blame Me! | Anberlin | B Minor | 9 | 10A | 161 BPM | ||
| The Running Man | The Audition | A♭ Major | 8 | 4B | 194 BPM | ||
| It's Only Another Parsec… | Rx Bandits | D♭ Minor | 9 | 12A | 97 BPM | ||
| Masterpiece | Bayside | A♭ Major | 10 | 4B | 100 BPM | ||
| Blame It On Bad Luck | Bayside | B Minor | 7 | 10A | 84 BPM | ||
| Shot Down | Nine Black Alps | G Major | 10 | 9B | 186 BPM | ||
| A Favor House Atlantic | Coheed and Cambria | E Major | 10 | 12B | 166 BPM | ||
| Sugar Skulls | Envy On The Coast | D Major | 5 | 10B | 93 BPM | ||
| Big Chomper, Big Chomper | Dr Manhattan | A Minor | 8 | 8A | 166 BPM | ||
| Anchors | Secret & Whisper | G Minor | 10 | 6A | 92 BPM | ||
| Paperthin Hymn | Anberlin | F Major | 6 | 7B | 180 BPM | ||
| Fleet | The Sleeping | F♯ Major | 9 | 2B | 87 BPM | ||
| I Feel Like I'm Becoming A Ghost | The Sleeping | E♭ Minor | 10 | 2A | 162 BPM |