Mortal Decay's 'Driven into Hysterics' had a release date set for 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 9 in Forensic by Mortal Decay. In terms of popularity, Driven into Hysterics is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Driven into Hysterics by Mortal Decay is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Behind the Walls of Derangement | Inveracity | F♯ Major | 10 | 2B | 106 BPM | ||
| The Dead Shall Dead Remain | Impaled | B Minor | 9 | 10A | 182 BPM | ||
| Inhuman Grotesqueries | Malignancy | B Minor | 10 | 10A | 151 BPM | ||
| Mutant Christ | Cryptopsy | G Major | 9 | 9B | 94 BPM | ||
| Exposing the Semihumans | Inveracity | F♯ Major | 10 | 2B | 106 BPM | ||
| Oral Excrement - 1999 | Malignancy | D Major | 8 | 10B | 101 BPM | ||
| Deviant | Mortal Decay | D♭ Minor | 9 | 12A | 115 BPM | ||
| Summarily Killed | Deeds of Flesh | D♭ Minor | 10 | 12A | 100 BPM | ||
| Land of Larvae | Deaden | D Minor | 9 | 7A | 108 BPM | ||
| Meditating Through Mayhem | Mortal Decay | A♭ Minor | 9 | 1A | 92 BPM | ||
| Terminal Existence | Vile | D♭ Major | 10 | 3B | 97 BPM | ||
| Infecting Them with Falsehood | Deeds of Flesh | E♭ Minor | 9 | 2A | 100 BPM | ||
| Time | Brutal Truth | A♭ Major | 9 | 4B | 115 BPM | ||
| Exhumed Dead Body | Pathologist | D♭ Major | 10 | 3B | 157 BPM | ||
| Ripped, Chopped, Severed | Mortal Decay | C Major | 10 | 8B | 98 BPM | ||
| Intestinal Sodomy - 1999 | Malignancy | C Minor | 8 | 5A | 163 BPM | ||
| Lake of the Dead | Brodequin | A Minor | 9 | 8A | 112 BPM | ||
| Assembled By Death | Prophecy | D♭ Major | 9 | 3B | 186 BPM | ||
| Origin | Origin | B♭ Minor | 10 | 3A | 93 BPM | ||
| Slavery | Inveracity | B Major | 10 | 1B | 109 BPM | ||
| Unfolding Disposition | Disavowed | D♭ Major | 10 | 3B | 103 BPM | ||
| Her Scars Are Mine | Eternal Suffering | F Minor | 10 | 4A | 130 BPM | ||
| A Path Beyond Premonition | Gorguts | D♭ Major | 9 | 3B | 95 BPM | ||
| Coprophagia | Broken Hope | A Major | 8 | 11B | 90 BPM | ||
| Vacant Grave | Exhumed | C Major | 10 | 8B | 123 BPM |