"Снегурочка, действие IV: Сцена таяния Снегурочки "Великий царь, спроси меня"" by Ирина Журина, Людмила Сергиенко, Раиса Котова, Татьяна Ерастова, Александр Федин, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Александр Архипов, Игорь Морозов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, действие IV: Сцена таяния Снегурочки "Великий царь, спроси меня"" is a single. In terms of popularity, Снегурочка, действие IV: Сцена таяния Снегурочки "Великий царь, спроси меня" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Снегурочка, действие IV: Сцена таяния Снегурочки "Великий царь, спроси меня" by Ирина Журина, Людмила Сергиенко, Раиса Котова, Татьяна Ерастова, Александр Федин, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Александр Архипов, Игорь Морозов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | ||
| Gianni Schicchi: "Ladro, ladro, furfante!" | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 4 | 9B | 77 BPM | ||
| Un ballo in maschera / Act 3: "Siam soli. Udite" | Giuseppe Verdi, Renato Bruson, Giovanni Foiani, Ruggero Raimondi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Снегурочка, действие II: Сцена "Спасибо вам!" | Александр Федин, Игорь Морозов, Борис Морозов, Людмила Сергиенко, Ирина Журина, Раиса Котова, Александр Архипов, хор Большого театра, Александр Лазарев, Оркестр Большого театра | D Minor | 1 | 7A | 91 BPM | ||
| Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Luciano Pavarotti, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 77 BPM | ||
| L'elisir d'amore / Act I: "Tran, tran, tran, tran - In guerra ed in amor" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Orchestra, James Levine | F Major | 3 | 7B | 131 BPM | ||
| Puccini: Turandot, Act 1: "Silenzio, olà!" (Le ancelle di Turandot, Coro, Calaf, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michele Pertusi, Rakhsha Ramezani Melami, Valentina Iannotta, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Minor | 0 | 10A | 88 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 64 BPM | ||
| Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Beatrice di Tenda: Act I Scene 1: Ah! non pensar che pieno (Agnese, Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Manon Lescaut / Act 1: Di sedur la sorellina è il momento | Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 141 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Simon Boccanegra, Act I: Orfanelle il tetto umile - Figlia! A tal nome io palpito | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 85 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM |