Imogen Clark, Colin Hay's 'First Class Man' had a release date set for August 21, 2020. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Making Of Me / Bastards". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Australia. In terms of popularity, First Class Man is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With First Class Man by Imogen Clark, Colin Hay having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something's Always Wrong (Acoustic) | Toad The Wet Sprocket | C Minor | 8 | 5A | 130 BPM | ||
| When Will I Get over It? | Andrew James | B Major | 6 | 1B | 133 BPM | ||
| Slow Train - with Stephen & Alan Pigram | Alex Lloyd | F♯ Minor | 4 | 11A | 106 BPM | ||
| Little Things | Melanie Horsnell, Shane Nicholson | D Major | 5 | 10B | 140 BPM | ||
| All is Come Undone | Dar Williams | D Major | 3 | 10B | 145 BPM | ||
| Someone to Hold | Little Quirks | G Major | 3 | 9B | 111 BPM | ||
| Coming Home | Liz Stringer | A Minor | 9 | 8A | 100 BPM | ||
| January Rain | Hunters & Collectors | E Minor | 5 | 9A | 139 BPM | ||
| Turn the Light On | Alex Lloyd | B Major | 8 | 1B | 132 BPM | ||
| Chelsea Blues | The Audreys | A Minor | 5 | 8A | 155 BPM | ||
| Go Go | Stiff Gins | B Minor | 5 | 10A | 127 BPM | ||
| If It Makes You Happy | Imogen Clark, Kezia Gill | A♭ Major | 5 | 4B | 92 BPM | ||
| Already Free | Ruth Moody | D Major | 5 | 10B | 81 BPM | ||
| Momma Raised A Ramblin’ Man | Sinead Burgess | F♯ Major | 4 | 2B | 94 BPM | ||
| Share Your Air | Kate Miller-Heidke | A Major | 5 | 11B | 78 BPM | ||
| Whenever It Snows | Tex Perkins, Don Walker, Charlie Owen | E Major | 5 | 12B | 127 BPM | ||
| Henry | Melody Pool | G Major | 4 | 9B | 139 BPM | ||
| Big Things | Michael Waugh | G Major | 5 | 9B | 142 BPM | ||
| Jack and Jill | Kelly Brouhaha, Ryan Daykin | F♯ Minor | 3 | 11A | 89 BPM | ||
| Waiting On You | Cecilia Castleman | D♭ Minor | 7 | 12A | 128 BPM | ||
| Now and the Evermore | Colin Hay | F Minor | 5 | 4A | 79 BPM | ||
| Layers | Sara Storer | B Major | 4 | 1B | 161 BPM | ||
| I know it sounds simple | Sunday Lemonade | B Major | 4 | 1B | 173 BPM | ||
| How We Remember It | Deacon Blue | F Major | 6 | 7B | 83 BPM | ||
| All Hard Feelings | Imogen Clark, Mickey Raphael, Sinead Burgess, Blake O'Connor | F Major | 5 | 7B | 144 BPM |