On January 1, 1968, the song "Silver Clouds For Marjorie" was released by Peter Thomas Sound Orchester. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Silver Clouds For Marjorie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Organic". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Silver Clouds For Marjorie's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Silver Clouds For Marjorie by Peter Thomas Sound Orchester having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| You, and the Night and the Music | The Melachrino Strings and Orchestra | F Major | 3 | 7B | 87 BPM | ||
| Lost in the Stars | Paul Tanner | A♭ Major | 2 | 4B | 96 BPM | ||
| Gentle Persuasion | Keith Mansfield | A Minor | 2 | 8A | 87 BPM | ||
| Linda | Alberto Baldan Bembo | G Major | 1 | 9B | 133 BPM | ||
| Poursuite - Bande originale du film "À bout de souffle" | Martial Solal | A♭ Major | 5 | 4B | 153 BPM | ||
| Florinda | Angel Pocho Gatti Y Su Orquesta | F Major | 3 | 7B | 109 BPM | ||
| Broccati Veneziani | Stelvio Cipriani | D Minor | 3 | 7A | 105 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Theme 5 | L One, Peter Thomas Sound Orchester, Golden Ticket Tapes | A♭ Major | 6 | 4B | 84 BPM | ||
| Right or Wrong - Instrumental Version | Piero Piccioni | C Major | 3 | 8B | 79 BPM | ||
| Bossa | Ahmed Malek | C Minor | 7 | 5A | 152 BPM | ||
| Notti d'amore a Tokyo | Marcello Giombini | D Minor | 7 | 7A | 90 BPM | ||
| Terra Bella (Que Bonita Es Mi Tierra) | Manny Lopez, The Bittersweet | C Major | 3 | 8B | 114 BPM | ||
| Messaggio | Lesiman | E Major | 2 | 12B | 102 BPM | ||
| Roxy | Sandro Brugnolini | F Major | 1 | 7B | 147 BPM | ||
| Love in Space | Peter Thomas Sound Orchester | C Major | 2 | 8B | 85 BPM | ||
| Campagne-premiere | Martial Solal | B♭ Major | 2 | 6B | 66 BPM | ||
| Musica bionda | Nora Orlandi | F Minor | 0 | 4A | 95 BPM | ||
| Matrimonio combinato | Gianfranco Plenizio | G Major | 1 | 9B | 108 BPM | ||
| Assignment K 3 | Basil Kirchin, John Coleman | G Major | 3 | 9B | 160 BPM | ||
| Attimi | Giorgio Gaslini | E♭ Major | 3 | 5B | 138 BPM | ||
| Park for Two | Berto Pisano | F Major | 4 | 7B | 135 BPM | ||
| Roses Montage | Elmer Bernstein | C Minor | 4 | 5A | 85 BPM | ||
| Ilse Seducing Heinz | Peter Thomas Sound Orchester | G Minor | 2 | 6A | 92 BPM |