Gerhard Bickl, Roman Raithel's 'Antique Sculptures' had a release date set for August 28, 2014. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerhard Bickl, Roman Raithel's "Light Percussive Underlines, Vol. 2" album is number 2 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Antique Sculptures's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Antique Sculptures by Gerhard Bickl, Roman Raithel to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Solace - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | F Major | 2 | 7B | 107 BPM | ||
| Italian Winter | Brightarm Orchestra | A♭ Minor | 1 | 1A | 82 BPM | ||
| Lively Lulu | Joe Rixner | A♭ Major | 4 | 4B | 89 BPM | ||
| My Home | Gerhard Bickl | F Major | 0 | 7B | 62 BPM | ||
| Triads - B | Gerhard Bickl | A♭ Major | 8 | 4B | 160 BPM | ||
| After You Get What You Want, You Don't Want It | Songs of Birdland | G Major | 1 | 9B | 70 BPM | ||
| Put on a Happy Face | Victor Silvester and his Silver Strings | B♭ Major | 3 | 6B | 100 BPM | ||
| ドロゥ・シー・ウォーター | ジョーレナ・ハワイアンズ | G Major | 3 | 9B | 77 BPM | ||
| They Call It Nonsense | Bonn Fields | G Major | 1 | 9B | 172 BPM | ||
| The Mystic Waterfall - 1949, Slow Version | Raymond Scott, Raymond Scott Quintet | G Major | 4 | 9B | 114 BPM | ||
| Exit Through the Kitchen Door | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Muddle | Gerhard Bickl, Christopher Widmoser | D♭ Major | 3 | 3B | 117 BPM | ||
| Second Strike | Gerhard Bickl | D Major | 4 | 10B | 94 BPM | ||
| La vida inesperada | Gabriel Andrés Gallegos, Budapest Art Orchestra | G Major | 1 | 9B | 179 BPM | ||
| F♯ Major | 1 | 2B | 99 BPM | ||||
| The Gramophone Gambit | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| The Cocktail Party | Original Soundtrack | E♭ Major | 3 | 5B | 188 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Salvatore | DIZA MAT | E♭ Major | 1 | 5B | 83 BPM | ||
| Euphoria's Breath | SounDSG | A Major | 4 | 11B | 144 BPM | ||
| Grand-Fathers And Grand-Sons | Hélène Blazy | C Minor | 0 | 5A | 100 BPM | ||
| Lavender Time | Ezea Jenkinson | C Major | 2 | 8B | 134 BPM | ||
| Accordéon en Fa Mineur | Louis Bastien | F Minor | 1 | 4A | 168 BPM | ||
| 1) Waiting for the Robert, E Lee; 2) California Here I Come; 3) Swanee | John Sidney | F Major | 5 | 7B | 114 BPM | ||
| Of Love and Destiny | Leighton Lucas | G Minor | 2 | 6A | 64 BPM |