Overload's ' "Going All The Way" was released on its scheduled release date, December 2, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Odyssey: The Complete Paul King Collection, Vol. 1". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Going All The Way's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Going All The Way by Overload having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dekha Na Tha | Alamgir | D Major | 5 | 10B | 155 BPM | ||
| Kala Jora Pa | Badnaam | E♭ Minor | 9 | 2A | 99 BPM | ||
| Hum Nadaan | Bayaan | D♭ Minor | 7 | 12A | 105 BPM | ||
| Sab Jag Soye | Quratulain Balouch, Shuja Haider | E Major | 8 | 12B | 158 BPM | ||
| Bichar Kai Bhee | Call | G Major | 6 | 9B | 80 BPM | ||
| Ajnabi | Aaroh | F♯ Minor | 8 | 11A | 110 BPM | ||
| Mehr Ma (feat. Hadiqa) | Khiza, Hadiqa | G Minor | 7 | 6A | 92 BPM | ||
| Nukta | Dhool | G Minor | 6 | 6A | 178 BPM | ||
| Kheryaan De Naal | Niazi Brothers | C Major | 6 | 8B | 134 BPM | ||
| Bibi Sheeranay - Urdu Version | Zeek Afridi | B♭ Minor | 7 | 3A | 111 BPM | ||
| Guzray Zamaney Waley | Vital Signs | A♭ Major | 9 | 4B | 78 BPM | ||
| Bachana | Bilal Khan | F♯ Major | 2 | 2B | 98 BPM | ||
| Kash | Faakhir | D Major | 4 | 10B | 112 BPM | ||
| Malal | Abbas Ali Khan | C Minor | 3 | 5A | 104 BPM | ||
| Deep Down - Radio Edit | Overload | F♯ Minor | 10 | 11A | 147 BPM | ||
| Lagan Lagi | Ahmed Jehanzeb | D♭ Major | 10 | 3B | 200 BPM | ||
| Dhamaal | Overload | D Major | 8 | 10B | 128 BPM | ||
| Fanaa (Live at Nescafé Basement) | Karakoram | C Major | 6 | 8B | 151 BPM | ||
| Shikwa | Natasha Baig | F Major | 4 | 7B | 156 BPM | ||
| Mahi Mera | Ali Sethi, Jamaldin | F♯ Major | 3 | 2B | 107 BPM | ||
| Diya | Awaz | D♭ Minor | 5 | 12A | 115 BPM | ||
| Cheekh (Original Motion Picture Soundtrack) | Asrar | E♭ Minor | 6 | 2A | 156 BPM | ||
| Ae Mohabbat Teray Anjam Pay Rona Aaya | Ibrahim Sulayman | F Minor | 3 | 4A | 128 BPM | ||
| Dil Khirki | Mehdi Maloof | C Major | 5 | 8B | 96 BPM | ||
| Allah Karay | Faakhir | C Major | 9 | 8B | 105 BPM |