Sam Bass's ' "When We Were Young and Foolish" was released on its scheduled release date, April 5, 2015. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. When We Were Young and Foolish's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sam Bass's "Love Solitude" album is number 13 out of 69. In terms of popularity, When We Were Young and Foolish is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of When We Were Young and Foolish by Sam Bass to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeep's Blues | Reverent Juke | F Major | 2 | 7B | 77 BPM | ||
| Bindery Goldsmith | Dada Jazz Cafè | G Minor | 2 | 6A | 117 BPM | ||
| Strip Trap | Giorgio Cuscito | E♭ Major | 1 | 5B | 132 BPM | ||
| West Madison Blues | Christian Rannenberg | E♭ Major | 5 | 5B | 120 BPM | ||
| Lithograph Cadenza | Crying Mirror | F♯ Major | 5 | 2B | 120 BPM | ||
| Breath of Nothing | Niko de Oro | F Major | 3 | 7B | 80 BPM | ||
| Projector Reel | Dusk in Bloom | E Minor | 4 | 9A | 178 BPM | ||
| Square Portico | Dusk in Bloom | C Minor | 3 | 5A | 79 BPM | ||
| Dream Your Dream | Peter Platts Jazz mbH, Thomas Gansch | G Major | 4 | 9B | 120 BPM | ||
| The Last Open Notebook | The Jazzlight Trio | F Minor | 5 | 4A | 100 BPM | ||
| Hearthside Swing | Smokers Clubhouse Band | F Major | 2 | 7B | 94 BPM | ||
| Midnight Melody | New RiSEN | A♭ Major | 5 | 4B | 171 BPM | ||
| Feline Flow | Noir Jazz Cats | B♭ Minor | 1 | 3A | 140 BPM | ||
| Playing | Weiss Gram | F Major | 8 | 7B | 123 BPM | ||
| My Soul, Erotic Music | Kurt White | G Major | 4 | 9B | 80 BPM | ||
| Why Mock Me | Noah Peterson | A Minor | 2 | 8A | 134 BPM | ||
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| While Sleeping in the South | Weiss Gram | E♭ Major | 3 | 5B | 77 BPM | ||
| Stomp At the Savoy | Weiss Gram | F Major | 1 | 7B | 80 BPM | ||
| Chill Horizon | Elian Moore | G Minor | 4 | 6A | 174 BPM | ||
| Oak Drawingroom | Impression Blue | G Minor | 3 | 6A | 89 BPM | ||
| Questa non è una rumba | Quartetto Magritte, Maurizio Minardi | D Major | 5 | 10B | 100 BPM | ||
| Everything Is Quite Alright | Sam Bass | C Major | 3 | 8B | 102 BPM | ||
| december calm | eire music | F Minor | 4 | 4A | 90 BPM | ||
| Riffin’ the Blues | Norbert Schneider | C Minor | 3 | 5A | 132 BPM |