"Alone and Forsaken" by Parry Ray had its release date on April 5, 2024. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Parry Ray's "HANDLE HEARTS WITH CARE, PART 1" album is number 5 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Alone and Forsaken's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alone and Forsaken by Parry Ray to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Jester and the Jewel | Rachel Sutton | F Minor | 1 | 4A | 100 BPM | ||
| 7 Days | Parry Ray | B♭ Major | 2 | 6B | 96 BPM | ||
| Rainbows In My Teacup | Joe Stilgoe, Tom Farmer, Ben Reynolds, Billy Adamson, James McMillan | F Major | 2 | 7B | 82 BPM | ||
| Tomorrow | Dannah Garay | A♭ Major | 3 | 4B | 119 BPM | ||
| Here You Come Again | Staci Griesbach | B♭ Minor | 2 | 3A | 81 BPM | ||
| Flowers | Kaiak | F Minor | 2 | 4A | 98 BPM | ||
| Bewitched, Bothered and Bewildered | Johanna Linnea Jakobsson | F Major | 1 | 7B | 97 BPM | ||
| You Better Go Now | Lara Louise | A♭ Major | 2 | 4B | 71 BPM | ||
| Easy On Me | Changes, Elin Bemark | B♭ Major | 1 | 6B | 127 BPM | ||
| Some Days | Margaret Champion, Scott Taylor | F Minor | 1 | 4A | 100 BPM | ||
| Take Me With You | Parry Ray | A♭ Minor | 6 | 1A | 180 BPM | ||
| When It's Sleepytime Down South | Hailey Tuck | B♭ Major | 1 | 6B | 110 BPM | ||
| H I M | Louis Amanti | B♭ Major | 2 | 6B | 101 BPM | ||
| Deep Inside | Timeless Hour | B Major | 1 | 1B | 76 BPM | ||
| The Way You Wait | GSY | F Major | 5 | 7B | 160 BPM | ||
| Drop the Beat | Rhythmic Muse | D Minor | 2 | 7A | 105 BPM | ||
| Out Here on My Own | Viktoria Tolstoy, Iiro Rantala | F Major | 2 | 7B | 127 BPM | ||
| The Simplest Things | Eliane Elias | B♭ Major | 3 | 6B | 153 BPM | ||
| Confession / The Other Woman | Veronica Swift | G Minor | 1 | 6A | 78 BPM | ||
| Until It Happens to You | April Barrows | C Major | 1 | 8B | 173 BPM | ||
| They All Come Back | Dannah Garay | D♭ Minor | 3 | 12A | 171 BPM | ||
| Starlight Starbright | Eugenie Jones | G Minor | 4 | 6A | 103 BPM | ||
| Echoes Long Though Gone | Velour JAZZ | B♭ Minor | 0 | 3A | 82 BPM | ||
| Gravity for Grace | Heather Rigdon | A♭ Minor | 2 | 1A | 97 BPM | ||
| Teach Me Tonight | Erin Boheme | G Major | 2 | 9B | 75 BPM |