The Soundtrack Project, Howe Gelb's ' "Rodeoclown" was released on its scheduled release date, November 19, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Soundtrack Project's "Gutterbee - Music from & Inspired by the Film" album is number 8 out of 11. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Rodeoclown is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rodeoclown by The Soundtrack Project, Howe Gelb to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crow Needs the Pine | Richard Neuberg | C Minor | 3 | 5A | 108 BPM | ||
| My Lotus Flower & Me | Finn Andrews | D Major | 2 | 10B | 139 BPM | ||
| The Last Word | Chris Difford | F♯ Major | 4 | 2B | 106 BPM | ||
| Come Take My Tides | Tom E. Lewis | E Minor | 4 | 9A | 144 BPM | ||
| I Am the Ghost | Sam Russell & the Harborrats, Kate Noson | B♭ Major | 6 | 6B | 149 BPM | ||
| Whatever Devil Is in Me | Chip Taylor | E♭ Major | 1 | 5B | 109 BPM | ||
| This Corrosion | Lambchop | C Major | 4 | 8B | 143 BPM | ||
| Dying On The Vine | Ratso | C Major | 4 | 8B | 86 BPM | ||
| Sunday | Ghost On The Second Floor | A Major | 7 | 11B | 202 BPM | ||
| HIGH ABOVE | J Shogren Shanghai'd | C Major | 10 | 8B | 174 BPM | ||
| SPIKE IN THE BASEMENT | Sam Russell & the Harborrats | A Major | 9 | 11B | 107 BPM | ||
| Penny Dreadful | Matthew C. Whitaker | B Minor | 2 | 10A | 118 BPM | ||
| Astonished (In Memphis) | Giant Sand | A Major | 4 | 11B | 131 BPM | ||
| Back in White | John Peter and His Collaborators | C Major | 4 | 8B | 85 BPM | ||
| way back home | fenceliners | C Minor | 3 | 5A | 108 BPM | ||
| Where Are You Sonny? | The Delines | F♯ Major | 3 | 2B | 76 BPM | ||
| For All Eternity | Steve Moore Oldster | G Major | 2 | 9B | 116 BPM | ||
| Swampland (echo) | J Shogren Shanghai'd | B♭ Major | 4 | 6B | 105 BPM | ||
| It's Been a Long Time Coming | Tom Hamilton | C Minor | 3 | 5A | 108 BPM | ||
| Until We Blend | Lyenn | F♯ Minor | 2 | 11A | 90 BPM | ||
| Caught Short in the Long Run | Elliott Murphy | C Minor | 3 | 5A | 108 BPM | ||
| Epilogue | James Woods, Bob Wayne | A Minor | 2 | 8A | 93 BPM | ||
| South | Damien Jurado | B Minor | 1 | 10A | 105 BPM | ||
| Sonny Boogie | Duke Garwood | A♭ Major | 4 | 4B | 138 BPM | ||
| Black's The New Blonde - Rinse Mix | Alllivone | D Minor | 5 | 7A | 98 BPM |