Sam Jones's 'Asylum' had a release date set for March 24, 2012. This song is quite longer than the average track at 5 minutes and 29 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 11 out of 11 in Catharsis by Sam Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Asylum's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Asylum by Sam Jones is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Message | Sam Jones | F Major | 5 | 7B | 101 BPM | ||
| Nowhere (For Bob Moses), Pt. 2 | Michael Gibbs | E Minor | 5 | 9A | 122 BPM | ||
| Vicksville | Harold Vick | F Minor | 4 | 4A | 107 BPM | ||
| Stardust | Oscar Pettiford | D♭ Major | 1 | 3B | 94 BPM | ||
| Golden Touch | Pattiford, Burke | A♭ Major | 4 | 4B | 91 BPM | ||
| Rosewood | Woody Shaw | B♭ Minor | 5 | 3A | 81 BPM | ||
| The Sheikh | Jessica Williams | A Minor | 1 | 8A | 144 BPM | ||
| Well, You Needn't - Remastered | Ray Bryant | D♭ Major | 5 | 3B | 89 BPM | ||
| A Lick of My Raspberry Mivvi | Kevin Sargent | B♭ Minor | 3 | 3A | 204 BPM | ||
| Collage | Ptaszyn Quartet, Mieczysław Kosz | A♭ Major | 3 | 4B | 117 BPM | ||
| Little Green Triangle | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | D Minor | 6 | 7A | 113 BPM | ||
| New Lands - Take 2 | Phil Woods, Space Jazz Trio | C Major | 5 | 8B | 96 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM | ||
| Afterthoughts | Kate Olson, Wayne Horvitz, Geoff Harper | A♭ Major | 3 | 4B | 117 BPM | ||
| Juicy Lucy | Phineas Newborn Jr. | B♭ Major | 2 | 6B | 116 BPM | ||
| Come Rain Or Come Shine - Remastered | Horace Parlan | B♭ Major | 3 | 6B | 115 BPM | ||
| Chelsea Bridge | Joe Henderson Sextet | E♭ Minor | 1 | 2A | 171 BPM | ||
| Processional | Dave Holland Quartet | D♭ Major | 2 | 3B | 104 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| Del Sasser | Sam Jones | F Minor | 7 | 4A | 142 BPM | ||
| Spinning Vinyl | SwisUp | A♭ Major | 3 | 4B | 117 BPM | ||
| Up The Entropy Slope | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Hey, It's Me You're Talkin To | Victor Lewis Quintet | G Major | 3 | 9B | 73 BPM | ||
| In A Sentimental Mood | Lucky Thompson | F Major | 0 | 7B | 95 BPM | ||
| Dreams | Kenny Barron Trio | B♭ Minor | 3 | 3A | 119 BPM |