On November 6, 1995, the song "Lala Lala Ho Gai Sucha Soorma" was released by Muhammad Sadiq, Ranjit Kaur. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Kali Ghori Hinakdi" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Lala Lala Ho Gai Sucha Soorma is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lala Lala Ho Gai Sucha Soorma by Muhammad Sadiq, Ranjit Kaur to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ajj Mera Chitt Karda | Amarjeet Nagina, Param Brar | A♭ Minor | 6 | 1A | 89 BPM | ||
| Pind de Shokeen Gabhru | Ranjit Kaur | D♭ Major | 9 | 3B | 82 BPM | ||
| Shak Kariya Na Kar | Anmol Virk | F♯ Major | 10 | 2B | 146 BPM | ||
| Mukhda | Jazz Malli | F Minor | 10 | 4A | 83 BPM | ||
| Bhabi Mainu Puche Kal Di | Surinder Bujrak | A♭ Major | 8 | 4B | 93 BPM | ||
| Kadon Milan Di Raat | Amarjit Nagina, Kiranjoti | B Minor | 10 | 10A | 127 BPM | ||
| Aakhri Sallaman | Amar Arshi | A♭ Major | 9 | 4B | 160 BPM | ||
| Ruse Nun Mana Leni Aan | Jaswant Singh Sandila, Parminder Sandhu | F♯ Major | 5 | 2B | 87 BPM | ||
| Aseen Oh Nahi Jo Samajh Laye | Harjit Singh Harman | B Minor | 8 | 10A | 85 BPM | ||
| Udd Gaya Vich Aasman De | Durga Rangila | B♭ Minor | 7 | 3A | 76 BPM | ||
| Teri Choti Bhain | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 174 BPM | ||
| Chotaan | Jelly | D♭ Major | 8 | 3B | 156 BPM | ||
| Raat Ragarhti Bhabi | Bagga Safri, Kiranjoti | D Minor | 9 | 7A | 120 BPM | ||
| Sukhi Saandi Vasdi Reih | Nachhattar Chhatta | F Minor | 6 | 4A | 84 BPM | ||
| Asian Alarah Pune | Suresh Wadkar, Ranjit Kaur | D♭ Major | 5 | 3B | 78 BPM | ||
| Lagdi Giddhe Wich Sang | Ravinder Grewal, Surpreet Soni | D♭ Minor | 7 | 12A | 172 BPM | ||
| Hanjuan Naal | Raj Brar | E Minor | 8 | 9A | 126 BPM | ||
| Peig Jeeje Ne Louna | Amrik Toofan, Harjeet Mattu | B♭ Minor | 8 | 3A | 106 BPM | ||
| Ikko Jot Chon Uppje Sare | Harjit Singh Harman | D♭ Major | 7 | 3B | 87 BPM | ||
| Munda Laigeya Nazare | Avtar Chamak | A♭ Major | 9 | 4B | 100 BPM | ||
| Jai Babe Di Bol | Jaswant Chamak | A♭ Major | 10 | 4B | 100 BPM | ||
| Viah Di Tareek (Punjabi Duet Song) | Raj Manak, Ranjit Kaur | A♭ Minor | 9 | 1A | 90 BPM | ||
| Husdi De Phul Khirde | Manmohan Waris | E Major | 9 | 12B | 131 BPM | ||
| Chandi Maa Di Aai Miss Call Jaana Ae Machail (Chandi Mata Bhajan) Dogri Bhajan | Naveen Punjabi | F♯ Major | 9 | 2B | 90 BPM | ||
| Chhad De Gali Chon | Mohammad Sadik, Ranjit Kaur | F♯ Major | 5 | 2B | 179 BPM |