JamisonParker's 'I Should Mean More' had a release date set for January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Sleepwalker". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, I Should Mean More's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Should Mean More by JamisonParker having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay Tonight | Matchbook Romance | E♭ Major | 10 | 5B | 90 BPM | ||
| The Process Tonight | Self Against City | E♭ Major | 9 | 5B | 155 BPM | ||
| This Ride | The Starting Line | G Major | 7 | 9B | 97 BPM | ||
| Newport Living | Cute Is What We Aim For | C Major | 7 | 8B | 165 BPM | ||
| I Can Barely Breathe | Just Surrender | B♭ Minor | 10 | 3A | 145 BPM | ||
| Is There No Truth in Beauty? | Just Surrender | B♭ Minor | 5 | 3A | 76 BPM | ||
| Water's Edge | 1997 | A Major | 9 | 11B | 165 BPM | ||
| Dream to Make Believe | Armor For Sleep | A Minor | 9 | 8A | 163 BPM | ||
| Beauty In The Breakdown (Acoustic) | The Scene Aesthetic | G Major | 4 | 9B | 79 BPM | ||
| One Hundred Percent | The Forecast | B Major | 9 | 1B | 175 BPM | ||
| I Want To Save You | Something Corporate | E♭ Major | 9 | 5B | 148 BPM | ||
| Car Underwater | Armor For Sleep | D Major | 8 | 10B | 147 BPM | ||
| Practice Makes Perfect | Cute Is What We Aim For | F♯ Major | 9 | 2B | 158 BPM | ||
| I Put the 'Metro' in Metronome | Cute Is What We Aim For | B Major | 9 | 1B | 150 BPM | ||
| Fast Forward | Don't Look Down | B Major | 9 | 1B | 115 BPM | ||
| Tearing Through Me | JamisonParker | G Major | 8 | 9B | 140 BPM | ||
| Well Versed in the Ways of the World | This Providence | F♯ Major | 7 | 2B | 90 BPM | ||
| Little Devotional | Taking Back Sunday | E Major | 9 | 12B | 144 BPM | ||
| Rock My Body | The Higher | D♭ Minor | 9 | 12A | 147 BPM | ||
| Kill The Drama | Spitalfield | G Major | 9 | 9B | 93 BPM | ||
| It's Too Late | The Audition | A♭ Minor | 6 | 1A | 95 BPM | ||
| Body Language and Bad Habits | Just Surrender | E Major | 10 | 12B | 175 BPM | ||
| The Closest I Am To Living Life On The Edge | Valencia | B Minor | 9 | 10A | 106 BPM | ||
| Mad For Medusa | The Junior Varsity | E♭ Major | 9 | 5B | 163 BPM | ||
| Middle of the Night | Sherwood | B Minor | 9 | 10A | 142 BPM |