Stewart Harding's 'Never to Return (Live)' had a release date set for November 15, 2016. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Songs That Were Left After Edinburgh Fest". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Never to Return (Live) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Never to Return (Live) by Stewart Harding having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night in the Township | Animal Jam | D Major | 2 | 10B | 90 BPM | ||
| always midnight | Current Joys | G Major | 3 | 9B | 100 BPM | ||
| I Know Where Syd Barrett Lives | Television Personalities | D Major | 5 | 10B | 139 BPM | ||
| The Court Of The Crimson King | Richard Grosser | E Minor | 3 | 9A | 138 BPM | ||
| Dreaming Of Some Space | Beady Eye | A♭ Minor | 6 | 1A | 79 BPM | ||
| Crazy | Malice K | E Minor | 6 | 9A | 180 BPM | ||
| Saturn | Nepx | F Minor | 0 | 4A | 75 BPM | ||
| Ladies and gentlemen we are floating in space | Spiritualized | D Major | 4 | 10B | 100 BPM | ||
| She La | Without kill | A Minor | 4 | 8A | 125 BPM | ||
| Last Call to Paris - Remastered | Pavlos Pavlidis | D Major | 4 | 10B | 92 BPM | ||
| Leave In Silence (Quieter) | Depeche Mode | A Minor | 1 | 8A | 120 BPM | ||
| The Perfect Crime - Single Version | The Jesus and Mary Chain | D♭ Major | 4 | 3B | 94 BPM | ||
| Apart | Themilo, Grace Sahertian | A Major | 4 | 11B | 100 BPM | ||
| A Day Is Far Too Long | Graham Coxon | C Major | 2 | 8B | 102 BPM | ||
| Water Island | My Singing Monsters | B Major | 2 | 1B | 140 BPM | ||
| Someone Like Me (Live) | Stewart Harding | E Minor | 1 | 9A | 107 BPM | ||
| Song on the Song (Mainland: Gallery) | Find the Markers, crispeh | D♭ Minor | 7 | 12A | 170 BPM | ||
| The Same Chords | Petey USA | F Major | 5 | 7B | 96 BPM | ||
| Mesquite | Ray Lynch | G Major | 1 | 9B | 108 BPM | ||
| Ignorant Piece of Shit | Carissa's Wierd | F♯ Major | 5 | 2B | 84 BPM | ||
| Lucy In The Sky With Diamonds | Jason Falkner | D Major | 3 | 10B | 140 BPM | ||
| True North | Pinback | F Major | 8 | 7B | 132 BPM | ||
| Pier 57 | Black Market Karma | F Major | 7 | 7B | 130 BPM | ||
| Underwater | Jon Middleton | B Major | 3 | 1B | 135 BPM | ||
| It Tango | Laurie Anderson | C Major | 2 | 8B | 82 BPM |