"What A Wonderful World" by Lesley Garrett, FILMharmonic Orchestra, Prague, Philip Ellis had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of When I Fall In Love by Lesley Garrett. The song's track number on the album is #12 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. What A Wonderful World is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since What A Wonderful World by Lesley Garrett, FILMharmonic Orchestra, Prague, Philip Ellis has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What A Wonderful World being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lakmé: Duo des fleurs. "Sous le dôme épais" | Ronan Maillard, Orchestre Philharmonique de Bruxelles, Sarah Bloch, Fanny Crouet | B Major | 1 | 1B | 89 BPM | ||
| Bachianas Brasileiras No.5: Aria | Heitor Villa-Lobos, Ruth Valaldares Correia, Lesley Garrett | D Minor | 1 | 7A | 94 BPM | ||
| Dance to Your Daddy | Traditional Arr. Troy Donocley and Julian Kershaw, Lesley Garrett | E♭ Major | 3 | 5B | 99 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
| Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | A Major | 0 | 11B | 72 BPM | ||
| Maria | Claire Massie, Susie Fenwick, Margaret Preece, Lesley Garrett | C Major | 2 | 8B | 121 BPM | ||
| À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
| The Barber Of Seville: Una Voce Poco Fa | Gioachino Rossini, Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E Major | 1 | 12B | 100 BPM | ||
| The Pearl Fishers Duet - Remastered, Radio Edit | Rhydian | E♭ Major | 4 | 5B | 169 BPM | ||
| Fauré: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. for Voice and Strings) | Lesley Garrett, Paul Daniel, London Session Orchestra, Zoe Mather | G Minor | 2 | 6A | 94 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | G Minor | 2 | 6A | 81 BPM | ||
| Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
| Laschia Ch'io Pianga | Origen | E♭ Major | 3 | 5B | 172 BPM | ||
| Les Filles De Cadix | IZZY | F♯ Minor | 3 | 11A | 117 BPM | ||
| Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
| I Belong To The Earth | Lesley Garrett | E♭ Major | 3 | 5B | 96 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
| L'enamourée | Reynaldo Hahn, Anna Netrebko | D♭ Major | 0 | 3B | 173 BPM | ||
| Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| Allegri: Miserere (Excerpt) | Gregorio Allegri, Stephen Cleobury, Choir of King's College, Cambridge, Timothy Beasley-Murray | G Minor | 1 | 6A | 127 BPM | ||
| Wiegenlied | Richard Strauss, Anna Netrebko, Emmanuel Villaume, Prague Philharmonic Orchestra | D Major | 0 | 10B | 83 BPM | ||
| Vivaldi: Tieteberga, RV 737: "Sento in seno ch'in pioggia di lagrime" (Lotario) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 119 BPM |