Sawan Dutta's 'Pyar Aur Dosti' had a release date set for June 20, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sawan Dutta's "Lady Chatterjee" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Pyar Aur Dosti is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pyar Aur Dosti by Sawan Dutta to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Durga Dwatrimsha Naamamala Stotra (32 Names) | Anandmurti Gurumaa | E Minor | 9 | 9A | 120 BPM | ||
| Hamaro Dhan Radha Shree Radha | Pooja Shrivastav | D♭ Major | 8 | 3B | 94 BPM | ||
| Kosha Mangsho / The Metronome | Sawan Dutta | A Minor | 3 | 8A | 100 BPM | ||
| Shree Krishna Sharnam Mamah | श्री कृष्ण शरणं ममः | Peaceful Krishna Mantra for Meditation | Shree Dhun | C Minor | 4 | 5A | 126 BPM | ||
| Sathya Manala | Sam Thomas | E Major | 3 | 12B | 98 BPM | ||
| Paryushan Parv Manana Hai | Abhilasha Banthia | E Major | 7 | 12B | 79 BPM | ||
| Aaraare | DEVANARAYANAN S, Joshua K James, KRISHNA GANESH | A♭ Major | 5 | 4B | 170 BPM | ||
| Hare Krishna Hare Krishna Hare Ram Hare Ram | Premanand Maharaj, Anjali Singh Rathor | G Major | 5 | 9B | 120 BPM | ||
| Enna Thavam - Instrumental | Pratik Shrivastava | G Minor | 6 | 6A | 137 BPM | ||
| Koi Aisi Khol Nahin | Anup Jalota | F Minor | 6 | 4A | 83 BPM | ||
| Shri Ramchandra Kripaalu | Shweta Pandit | A Major | 2 | 11B | 74 BPM | ||
| Venkateshwara stothram | Hansayog, Koulini Shree | D Major | 5 | 10B | 144 BPM | ||
| Muj Āge Mahantji | BAPS Swaminarayan Sanstha | F Major | 4 | 7B | 120 BPM | ||
| Jai Ganesh Deva Aarti | Deedar Kaur, Amitava Sarkar | A♭ Major | 10 | 4B | 130 BPM | ||
| JAUNA MAYA BHAGERA (Humming) | Saru Gautam | E Major | 3 | 12B | 174 BPM | ||
| Radha ji Ke 32 Naam | Arti Joshi | E Major | 5 | 12B | 120 BPM | ||
| Namami Shamishan (Rudrashtakam Shiv Stotram) | Dhyan | F Major | 4 | 7B | 120 BPM | ||
| Savarni Suryo Tanayo | Tushar Dutta, Trishit, Supratik Das, Roompa, Pradyot De | C Major | 6 | 8B | 100 BPM | ||
| Alaipayuthey Kanna - Instrumental | Ramachandra Murthy | G Major | 4 | 9B | 168 BPM | ||
| Swagatham Krishna - (Instrumental) | Ramachandra Murthy | A♭ Major | 4 | 4B | 114 BPM | ||
| Mudaakaraat Modakam Ganapati Pancharatna Stotra | Bela Shende | D♭ Major | 3 | 3B | 76 BPM | ||
| Rai Jago Go | Poushali Banerjee | D♭ Major | 4 | 3B | 110 BPM | ||
| Tum Hi Ho Mata Pita - Instrumental | Sawan Dutta, Ajay Prasanna | B Minor | 3 | 10A | 80 BPM | ||
| Chaai Ke Bahane | Abhishek-Ishteyak, Roop Kumar Rathod, Madhushree | D Minor | 6 | 7A | 126 BPM | ||
| krishna Theme Flute 24/107 | krishna's flute | E Major | 3 | 12B | 179 BPM |