Fred Astaire's ' "Let's Call The Whole Thing Off" was released on its scheduled release date, 1932. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Great American Songbook". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Let's Call The Whole Thing Off is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Let's Call The Whole Thing Off by Fred Astaire having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kitty from Kansas City | Rudy Vallee | D Major | 4 | 10B | 133 BPM | ||
| My Reverie | Bea Wain | A♭ Minor | 2 | 1A | 113 BPM | ||
| I Won't Dance | Fred Astaire | C Major | 2 | 8B | 179 BPM | ||
| Taking a Chance on Love | Ethel Waters | A♭ Major | 2 | 4B | 135 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | A♭ Minor | 2 | 1A | 113 BPM | ||
| We Are In Love | Harry Connick, Jr. | G Major | 3 | 9B | 200 BPM | ||
| Rip Van Winkle | Ella Mae Morse | A♭ Minor | 2 | 1A | 113 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 2 | 3B | 148 BPM | ||
| Little One | London Theatre Orchestra & Cast | D Major | 2 | 10B | 95 BPM | ||
| An' Furthermore | Irving Aaronson and His Commanders | E♭ Major | 5 | 5B | 115 BPM | ||
| Cherokee | Charlie Barnet | F Major | 2 | 7B | 176 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | A♭ Minor | 2 | 1A | 113 BPM | ||
| Don't Sit Under the Apple Tree | Glenn Miller | G Major | 2 | 9B | 180 BPM | ||
| Hello, Ma Baby | Max Morath | B♭ Major | 4 | 6B | 145 BPM | ||
| Maine Stein Song (aka the Stein Song) | Rudy Vallee | A♭ Major | 3 | 4B | 135 BPM | ||
| C'est Magnifique - Remastered | Kay Starr | F♯ Minor | 4 | 11A | 155 BPM | ||
| Amapola | Jimmy Dorsey | A♭ Minor | 2 | 1A | 113 BPM | ||
| I Like Pie I Like Cake - But I Like You Best of All | Goofus Five | E♭ Major | 2 | 5B | 94 BPM | ||
| On a Slow Boat to China | His Orchestra, Kay Kyser | G Minor | 2 | 6A | 109 BPM | ||
| On The Sunny Side Of The Street | Keely Smith | B Minor | 4 | 10A | 107 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Chattanooga Choo Choo - 1941 Single Version | The Andrews Sisters, Vic Schoen & His Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| Five Foot Two, Eyes of Blue | Gene Austin | A♭ Minor | 2 | 1A | 113 BPM | ||
| Nice Work If You Can Get It | Fred Astaire | A♭ Minor | 2 | 1A | 113 BPM | ||
| You Oughta Be in Pictures | Rudy Vallee | C Major | 4 | 8B | 176 BPM |