Kyle Watson's ' "Late Night Phone Call" was released on its scheduled release date, February 18, 2022. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Late Night Phone Call and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Late Night Phone Call's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Late Night Phone Call by Kyle Watson to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Open Up | SWAYLÓ | D♭ Major | 7 | 3B | 125 BPM | ||
| Ruh - Taiki Nulight Afterhours Mix | Taiki Nulight, Almek, RENNAN | A Major | 8 | 11B | 125 BPM | ||
| Business & Pleasure | Dennis Cruz | E Minor | 9 | 9A | 129 BPM | ||
| The Sample - Hijack Remix | Hijack, Kyle Watson | D♭ Major | 8 | 3B | 124 BPM | ||
| No Mixer | Late Replies | F♯ Major | 10 | 2B | 126 BPM | ||
| We Got The Fire | FREAK ON | D Minor | 8 | 7A | 125 BPM | ||
| Get Down | Keeld, Rhiannon Roze | G Major | 9 | 9B | 126 BPM | ||
| Kick Drums | Kyle Watson | C Major | 8 | 8B | 125 BPM | ||
| Red (feat. Nala) | Steve Darko, Nala | G Major | 8 | 9B | 125 BPM | ||
| BRING IT BACK | DONT BLINK | D Major | 10 | 10B | 125 BPM | ||
| Snake Charmer | Fourword | F♯ Major | 9 | 2B | 126 BPM | ||
| Magic Potion | Double Agent | D♭ Major | 9 | 3B | 123 BPM | ||
| Pattak | Adapter | B♭ Minor | 6 | 3A | 128 BPM | ||
| Groove - Original Mix | Ocean Roulette, Arnold & Lane | B Minor | 8 | 10A | 124 BPM | ||
| Bang This Joint | Little Fritter | B♭ Minor | 10 | 3A | 126 BPM | ||
| MY MAN | Fab Massimo | D♭ Major | 9 | 3B | 126 BPM | ||
| Realize | Cave Studio | B Minor | 9 | 10A | 126 BPM | ||
| Concentrate | Anti Up, Chris Lake, Chris Lorenzo | F♯ Major | 9 | 2B | 126 BPM | ||
| Back To You | Adapter | F♯ Minor | 8 | 11A | 128 BPM | ||
| That's Hot (feat. Big J & Oonagi) | Steve Darko, Big J & Oonagi | A♭ Minor | 9 | 1A | 126 BPM | ||
| Mistress - Kyle Watson Remix | N2N, Yaarrohs, Kyle Watson | F Minor | 5 | 4A | 123 BPM | ||
| Asquerosa | Shahay, Night Bass | B Minor | 6 | 10A | 125 BPM | ||
| Fallin for You | SIDEPIECE | A♭ Major | 9 | 4B | 125 BPM | ||
| Miami Badger | GAWP, Elijah & Grundy | A Major | 8 | 11B | 126 BPM | ||
| Such A Mess - Extended Edit | Ryki, Kyle Watson | F Minor | 7 | 4A | 118 BPM |