- BPM
- 73
- Key
- F Minor
- Camelot
- 4A
12 Romances, Op. 21: VII. How Fair this Spot by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas Song Details
"12 Romances, Op. 21: VII. How Fair this Spot" by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas had its release date on March 25, 2022. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 12 Romances, Op. 21: VII. How Fair this Spot's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 19 in Dissonance by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. 12 Romances, Op. 21: VII. How Fair this Spot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 12 Romances, Op. 21: VII. How Fair this Spot by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -25.841 dB
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 5%
- Instrumentalness
- 29%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 2 "Abends will ich schlafen gehn" [Hänsel, Gretel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Major | 0 | 9B | 86 BPM | |
 | Silent Songs / 11 Songs: No. 7, The Isle | Valentin Silvestrov, Hélène Grimaud, Konstantin Krimmel | E♭ Major | 0 | 5B | 85 BPM | |
 | Wenn ich ein Vöglein wär, Op. 43, No. 1 | Robert Schumann, Barbara Bonney, Angelika Kirchschlager | E Minor | 1 | 9A | 73 BPM | |
 | Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | |
 | Petite Messe solennelle, Kyrie: II. Christe | Gioachino Rossini, RIAS Kammerchor, Marcus Creed | F Minor | 0 | 4A | 149 BPM | |
 | 6 Romances, Op. 8: II. Child! Thou Art as Beautiful as a Flower | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | G Minor | 0 | 6A | 69 BPM | |
 | Wesendonck Lieder, WWV 91: V. Träume - Live from Salzburg | Richard Wagner, Elina Garanca, Wiener Philharmoniker, Christian Thielemann | A♭ Major | 0 | 4B | 171 BPM | |
 | Puccini: Turandot, Act 1: "Signore, ascolta!" (Liù) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Major | 0 | 2B | 84 BPM | |
 | Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | |
 | 5 Morceaux de fantaisie, Op. 3: No. 1, Elégie | Sergei Rachmaninoff, Boris Giltburg | B♭ Minor | 3 | 3A | 90 BPM | |
 | Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | |
 | Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | |
 | Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | |
 | Bizet: Adieux de l'hôtesse arabe, WD 72 | Georges Bizet, Fatma Said, Malcolm Martineau, Burcu Karadağ | A Minor | 0 | 8A | 80 BPM | |
 | Widmung, Op.25, No.1 | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 83 BPM | |
 | Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | |
| Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney, Malcolm Martineau | E♭ Major | 1 | 5B | 167 BPM | |
 | Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | |
| 15 Romances, Op. 26: III. Let Us Rest | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | G Minor | 0 | 6A | 69 BPM | |
 | Emily — No Prisoner Be: No. 3, The Soul selects her own Society | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Minor | 3 | 3A | 90 BPM | |
 | Fauré: 3 Mélodies, Op. 8: No. 1, Au bord de l'eau | Gabriel Fauré, Véronique Gens, Roger Vignoles | F♯ Minor | 0 | 11A | 83 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | |
 | Pantomime | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | |
 | Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Véronique Gens, Roger Vignoles | F Minor | 0 | 4A | 122 BPM |
- ISRC
- FR50X2179609
- Label
- L-M Records/RCA Records