On 2004, the song "Suite VII In G Minor HV 432: Gigue (Handel)" was released by Ottavio Dantone. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ottavio Dantone's "Händel: Suites de Piéces pour le Clavecin Nos. 6-8 HV 431-433 & Pieces for Harpsichord" album is number 9 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Suite VII In G Minor HV 432: Gigue (Handel) is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite VII In G Minor HV 432: Gigue (Handel) by Ottavio Dantone to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
| Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
| Couperin: Second Livre de pièces de clavecin, Huitième Ordre: IX. Passacaille | François Couperin, Olivier Baumont | E Minor | 2 | 9A | 84 BPM | ||
| Rondeau from "Abdelazer" | Henry Purcell, Gabriel V Brass Quintet, David Chalmers | D Minor | 1 | 7A | 90 BPM | ||
| Sonata in D minor, K. 213 | Domenico Scarlatti, Andreas Staier | D♭ Minor | 2 | 12A | 115 BPM | ||
| Concerto For 2 Mandolins In G Major, RV 532: II. Andante | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | E Minor | 0 | 9A | 89 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
| I. Toccata | Johann Sebastian Bach, Igor Kipnis | B Minor | 1 | 10A | 89 BPM | ||
| Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
| Concerto Grosso for 2 Violins, Strings and Continuo in A Minor, Op. 3/8, RV. 522: III. Allegro | Antonio Vivaldi, Elizabeth Wilcock, Michaela Comberti, The English Concert, Trevor Pinnock | D♭ Minor | 3 | 12A | 121 BPM | ||
| Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
| Valse sentimentale | Pyotr Ilyich Tchaikovsky, Peter-Lukas Graf, Konrad Ragossnig | B♭ Major | 0 | 6B | 168 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
| Sinfonia in G Major: I. Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | E♭ Major | 1 | 5B | 116 BPM | ||
| Remembrance | Archibald Joyce, Nikolai Nazarov, Separate Exemplary Orchestra of USSR Defense Ministry | F Minor | 2 | 4A | 111 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
| Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
| Pièces de clavecin, Livre IV: L’Amphibie. Mouvement de passacaille | François Couperin, Skip Sempé, Olivier Fortin | F♯ Major | 1 | 2B | 118 BPM |