"Conviction (Main Theme from "Tom Clancy’s Splinter Cell Conviction")" by Kaveh Cohen, Michael Nielsen, Angèle Dubeau, La Pietà had its release date on October 23, 2012. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Conviction (Main Theme from "Tom Clancy’s Splinter Cell Conviction")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angèle Dubeau's "Game Music" album is number 1 out of 9. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Conviction (Main Theme from "Tom Clancy’s Splinter Cell Conviction") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Conviction (Main Theme from "Tom Clancy’s Splinter Cell Conviction") by Kaveh Cohen, Michael Nielsen, Angèle Dubeau, La Pietà to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paris-Rouen | Lance Hayes | F♯ Minor | 4 | 11A | 110 BPM | ||
| Before It Ends | Revolt Production Music | D Minor | 2 | 7A | 120 BPM | ||
| dataDyne Central Defection (From "Perfect Dark") | DonutDrums | D Major | 8 | 10B | 116 BPM | ||
| Lesser Crucible | Akihiro Manabe | D♭ Major | 6 | 3B | 153 BPM | ||
| Barrett Boss Fight | Michael McCann | B♭ Minor | 9 | 3A | 130 BPM | ||
| LZ Epsilon | Audiomachine | D Major | 4 | 10B | 137 BPM | ||
| Full Send | Stephen Baysted | A Minor | 4 | 8A | 144 BPM | ||
| Credits (feat. Julie Seechuk) [Bonus Track - F1 2021] | Ian Livingstone, Ethan Livingstone, Julie Seechuk | G Minor | 3 | 6A | 100 BPM | ||
| Briefing | Damjan Mravunac | D Major | 4 | 10B | 83 BPM | ||
| Solo el rio nos salvara | Dunas de luz | A♭ Major | 8 | 4B | 138 BPM | ||
| Dying Star | Michael Sciabbarrasi | B Minor | 5 | 10A | 110 BPM | ||
| The Pits | Kaveh Cohen, Michael Nielsen | D♭ Major | 8 | 3B | 150 BPM | ||
| Geoscape | Adam Schneider | E Minor | 3 | 9A | 125 BPM | ||
| Frameshift & Starports: Frameshift Suite - Fourth Movement - Draco | Erasmus Talbot | B♭ Minor | 4 | 3A | 122 BPM | ||
| Infiltration | Sascha Dikiciyan, Cris Velasco | A Major | 4 | 11B | 125 BPM | ||
| Secret Service | Jon Opstad, Paul Haslinger | C Minor | 2 | 5A | 130 BPM | ||
| sa your | オレンジかもしれない | D♭ Major | 6 | 3B | 153 BPM | ||
| The Firehawk Rises | Finishing Move Inc. | A Major | 3 | 11B | 107 BPM | ||
| Pisadas Gastadas | Disman | C Minor | 5 | 5A | 74 BPM | ||
| Final Tale | Farid Puber | D♭ Major | 3 | 3B | 80 BPM | ||
| FsF-sABer (Part 1) | Tom Dabrowski | D♭ Major | 6 | 3B | 153 BPM | ||
| Hali Mari | Jordan Clark, Jokardon | E Minor | 5 | 9A | 100 BPM | ||
| A New Dimension | Revolt Production Music | D Major | 4 | 10B | 120 BPM | ||
| Time Trial (feat. Julie Seechuk) [Bonus Track - F1 2021] | Ian Livingstone, Julie Seechuk | G Minor | 3 | 6A | 100 BPM | ||
| Titans Awake at Dawn | Adrian Valkor | D♭ Major | 6 | 3B | 153 BPM |