"Swan Lake, Op. 20, Act II: No. 10, Scène. Moderato" by Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev had its release date on February 23, 2010. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Tchaikovsky: Swan Lake, Op. 20". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Finland. In terms of popularity, Swan Lake, Op. 20, Act II: No. 10, Scène. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, Act II: No. 10, Scène. Moderato by Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 7 in G Minor, P I:7: IV. Finale. Adagio - Allegro | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths | G Minor | 2 | 6A | 135 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| How About That Dance | Volker Bertelmann | C Major | 7 | 8B | 120 BPM | ||
| Jay Kelly Suite | Nicholas Britell | F Major | 3 | 7B | 203 BPM | ||
| The Heist | Federico Jusid | E Minor | 1 | 9A | 100 BPM | ||
| Premier Cru | Patrick Thomas Hawes | C Minor | 3 | 5A | 90 BPM | ||
| The Court | Adrián Berenguer | C Major | 6 | 8B | 98 BPM | ||
| An der schönen blauen Donau, Walzer, Op. 314 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
| Moment of Clarity | Jeff Beal | C Minor | 1 | 5A | 79 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Chineke! Orchestra, Roderick Cox | C Major | 3 | 8B | 108 BPM | ||
| Swan Lake, Op. 20: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 133 BPM | ||
| The Spanish Italian | Jeff Russo | C Minor | 2 | 5A | 99 BPM | ||
| Nocturne No. 15 in F Minor, Op. 55, No. 1 | Frédéric Chopin, Maria João Pires | F Minor | 0 | 4A | 79 BPM | ||
| Forzisimo | Adrián Berenguer | F Major | 4 | 7B | 154 BPM | ||
| Love Story | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | ||
| Fury | The Seventh Movement, Ardie Son | A Minor | 0 | 8A | 71 BPM | ||
| Cannes Fundraiser | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | D Major | 0 | 10B | 80 BPM | ||
| Sibelius: Andante festivo (Orchestral Version) | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 169 BPM | ||
| Violin Concerto in F Minor, Op. 8, No. 4, RV 297 "L'inverno": I. Allegro non molto | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E Minor | 3 | 9A | 161 BPM | ||
| Urgence | Jérôme Rebotier | G Minor | 3 | 6A | 142 BPM | ||
| Te Deum | Marc-Antoine Charpentier, Noel Rawsthorne | D Major | 3 | 10B | 71 BPM | ||
| Concerto grosso No. 8 in C Minor, Op. 6/8, HWV 326: I. Allemande. Andante | George Frideric Handel, Sir Neville Marriner, Trevor Connah, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields | A Major | 2 | 11B | 122 BPM | ||
| Der Ring: From "Das Rheingold": Vorspiel | Edo de Waart | E♭ Major | 0 | 5B | 124 BPM | ||
| Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
| The Pool | Johannes Ringen | F Minor | 1 | 4A | 120 BPM |